Recent Publications

Books

Program Music (in preparation).

Liszt as Transcriber (Cambridge: Cambridge University Press, 2010).

Articles

“Between the Composer-Pianist,” in Liszt’s Legacies, ed. James Deaville (forthcoming).

“Liszt and the Construction of a ‘Panthéon musical’,” in Liszt et la France, eds. Malou Haine, Nicolas Dufetel, Dana Gooley, and Jonathan Kregor (forthcoming).

“Liszt’s Late Songs, With and Without Words,” Journal of the American Liszt Society 61–62 (2010–2011 [forthcoming October 2011]).

“Liszt’s Wagner,” The Wagner Journal 5, no. 1 (2011): 17–43.

“Franz Liszt,” in Oxford Bibliographies Online: Music, ed. Bruce Gustafson (New York: Oxford University Press, June 2011), http://www.oxfordbibliographiesonline.com.

“Stylistic Reconstructions in Liszt’s Late Arrangements,” The Musical Quarterly 91, nos. 3–4 (2008 [published June 2009]): 200–239.

“Liszt, Yesterday and Today,” Nineteenth-Century Music Review 4, no. 2 (2007): 141–153.

“Collaboration and Content in the Symphonie fantastique Transcription,” The Journal of Musicology 24, no. 2 (2007): 195–236.

Editions of Music

C.P.E. Bach, Sonatas from Manuscript Sources, ser. I, vol. 6.3, of Carl Philipp Emanuel Bach: The Complete Works (Cambridge, MA: Packard Humanities Institute), in preparation.

Clara Schumann, Unpublished Arrangements for Solo Piano (Madison: A-R Editions), in press.

C.P.E. Bach, Arrangements of Orchestral Works, ser. I, vol. 10.2, of Carl Philipp Emanuel Bach: The Complete Works (Cambridge, MA: Packard Humanities Institute, 2008).

Reviews

Christophe Grabowski and John Rink, Annotated Catalogue of Chopin’s First Editions, in Notes (forthcoming).

Franz Liszt, New Liszt Edition, Supplement, vol. 6 (“Harmonies poétiques et religieuses [Early Versions]”), ed. Adrienne Kaczmarczyk; Supplement; vol. 9 (“Harold en Italie [Berlioz] and Other Works”), ed. Adrienne Kaczmarczyk and Eszter Mikusi; and vol. 11 (“Symphonies de L. van Beethoven [Early Versions]”), ed. Imre Mező, in Nineteenth-Century Music Review 8, no. 1 (2011): 161–165.

Serge Gut, Franz Liszt, in Notes 67, no. 2 (2010): 326–328.

Paul Bertagnolli, Prometheus in Music: Representations of the Myth in the Romantic Era, in Journal of the American Liszt Society 59–60 (2008–2009 [published October 2010]): 168–173.

Halina Goldberg, Music in Chopin’s Warsaw, in Notes 65, no. 4 (2009): 781–784.

Benjamin Walton, Rossini in Restoration Paris: The Sound of Modern Life, in Nineteenth-Century Music Review 6, no. 2 (2009): 132–135.

Kenneth Hamilton, After the Golden Age: Romantic Pianism and Modern Performance, in Notes 65, no. 2 (2008): 306–309.

William Alexander Eddie, Charles Valentin Alkan: His Life and His Music, in Notes 64, no. 4 (2008): 731–733.

Alan Walker, Reflections on Liszt, in Notes 63, no. 4 (2007): 836–839.

Recent Presentations

“Forging ‘Paganinis of the Piano’: Nineteenth-Century Traditions of Artistic Mimesis,” International Conference “Liszt and the Arts,” Budapest, Hungary, November 2011.

“Was bedeutet ‘Texttreue’ bei der Liszt’schen Bearbeitung?” International Musicological Conference “Franz Liszt: Paraphrasen, Transkriptionen und andere Bearbeitungen,” Kunstuniversität Graz, Oberschützen, Austria, October 2011.

“Variants of Scores: Lisztian Processes of Revision,” Internationale Franz-Liszt-Konferenz “Liszt-Interpretationen,” Weimar, Germany, October 2011.

“Liszt’s New Germans, Bach’s Old Germans,” Musicology Colloquium, The Peabody Institute, Baltimore, MD, September 2011.

“Liszt’s Legacies of Transcription,” International Symposium “Liszt’s Legacies,” Carleton University, Ottawa, Canada, July 2011.

“Liszt and the Construction of a ‘Panthéon musical’,” Colloque international interdisciplinaire “Liszt et la France,” Brussels, Belgium, May 2011.

“Liszt’s New Germans and the Old German School,” Department of Music, Case Western Reserve, Cleveland, OH, April 2011.

“Liszt and the Future of Russian Music,” American Liszt Society Bicentennial Festival, Athens, GA (Univ. of Georgia), February 2011.

“How to Avoid a Lawsuit, c. 1875: At the Boundaries of Originality, Intentionality, and Wagnerism in Liszt’s ‘Einzug der Gäste auf Wartburg’ from Tannhäuser,” annual meeting of the Royal Musical Association, London, England, July 2010.

“Clara Schumann’s Personas of Transcription,” Sixteenth International Conference on Nineteenth-Century Music, Southampton, England, July 2010.

“The Visible Transcriber,” American Liszt Society International Festival, Lawrence, KS (Univ. of Kansas), April 2009.

“Reviving La Romanesca,” annual meeting of the Renaissance Society of America, Los Angeles, CA, March 2009.

“‘Mit “Wagnerischem” Ausdruck zu spielen’: August Stradal’s Händel-Bearbeitungen for Solo Piano,” biennial meeting of the American Handel Society, Danville, KY (Centre College), February 2009.

“Reviving La Romanesca,” Fifteenth International Conference on Nineteenth-Century Music, Dublin, Ireland, June 2008.