Stephanie Schlagel, University of Cincinnati

CCM, Composition, Musicology and Theory

Stephanie Schlagel

Stephanie P. Schlagel, Associate Professor, is a musicologist specializing in the music of Josquin des Prez, the 15th- and 16th-century motet, reception history, and historiography. Her articles and reviews have been published in the Journal of Musicology, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis [TVNM], Notes, and Rivista Italiana di Musicologia. Her edition of Si placet Parts for Motets by Josquin and His Contemporaries appears in the Recent Researches in the Music of the Renaissance series. She has presented her research at national meetings of the American Musicological Society and at the international conference, "New Directions in Josquin Scholarship." Dr. Schlagel is the director of the CCM Early Music Lab, and she plays the viola da gamba and recorders with that group. She has taught previously at Colorado College and University of North Carolina, Chapel Hill.

Ph.D., University of North Carolina, Chapel Hill; CCM since 1998.

Select Publications

Masses by Ludwig Daser and Matthaeus Le Maistre: Parody Masses on Josquin's Motets from the Bavarian Ducal Court of Albrecht V (critical edition and commentary). Recent Researches in Music of the Renaissance. A–R Editions, Middleton, Wisc. [under contract].

“Fortune’s Fate: Josquin and the Nürnberg Mass Prints of 1539” in Proceedings of the International Symposium Josquin and the Sublime, Roosevelt Academy, Middelburg, The Netherlands, July 2009 [in production].

Book Review: David Fallows, Josquin. Notes: The Journal of the Music Library Association [in production for vol. 67, no. 3 (March 2011)].

“Des Prez, Josquin Lebloitte dit” in the New Catholic Encyclopedia Supplement 2011 [in production]

“A Credible (Mis)Attribution to Josquin in Hans Ott’s Novum et insigne opus musicum: Contemporary Perceptions, Modern Conceptions, and the Case of Veni sancte Spiritus.” Tijdschrift van de Koninkliike Vereniging voor Nederlandse Muziekgeschiedenis 56 (Fall 2006): 97–126.

Si placet Parts for Motets by Josquin and His Contemporaries. Recent Researches in Music of the Renaissance, 146 (critical edition and commentary). A–R Editions, Middleton, Wisc. 2006.

Select Public Papers and Presentations

“Josquin’s Ghost at the Bavarian Ducal Court,” presented at the Medieval and Renaissance Studies (MARS) Colloquium, Purdue University, October, 2010.

“Ab interitu vindicarem: Isaac and the Music Books of Ott and Petreius,” presented at the International Conference Heinrich Isaac and His World, Indiana University, Bloomington, IN, May 2010.

“Fortune’s Fate: Josquin and the Nürnberg Mass Prints of 1539,” presented at the International Symposium Josquin and the Sublime, Roosevelt Academy, Middelburg, The Netherlands, July 2009.

“Josquin’s Missa L’homme armé super voces musicales and Its Compositional Cousins,” presented at (1) the meeting of the American Musicological Society, Nashville, November, 2008; (2) the Medieval and Renaissance Music Conference, Bangor, Wales (UK), July 2008; and (3) the meeting of the Midwest Chapter of the American Musicological Society, Chicago, October 2007.

Panelist, Early Music America Open Session for Early Music Directors, “Why Teach Early Music Performance: What’s Our Goal?” at American Musicological Society Annual Meeting, Nashville, November, 2008.

“Franco-Flemish Composers in the Rokycany Music Collection: An Investigation of the Music from the Oldest Style Layer,” with Kateřina Maýrová, presented at Musical Culture of the Czech Lands and Central Europe before 1620 (international conference), Prague, Czech Republic, August 2006.

Recent Awards, Grants, and Assistantships

CCM Decanal Travel Grant for “Study Tour of the Netherlands and Belgium” (2009).

University of Cincinnati Faculty Abroad Grant, to teach “Music, Art, and Though in Medici Florence” (2009).

University of Cincinnati Faculty Development Council Grant for “Study Tour of the Loire Valley,” France (2008).

University of Cincinnati Tangeman Sacred Music Fund Grant to present at the Medieval and Renaissance Music Conference, Bangor, Wales, UK, July 2008.

University of Cincinnati Faculty Abroad Grant, to teach “Music, Art, and Though in Medici Florence” (2007).

University of Cincinnati, Tangeman Sacred Music Foundation Grant, for the project Masses by Ludwig Daser and Matthaeus Le Maistre: Parody Masses on Josquin’s Motets from the Bavarian Ducal Court of Albrecht V (2006).

University of Cincinnati Tangeman Sacred Music Fund Grant to present at the conference Musical Culture of the Czech Lands and Central Europe before 1620, Prague, Czech Republic, August 2006.

University of Cincinnati, Faculty Development Council Grant: “Language and Culture Studies in Europe” (2005-6).

Composition, Musicology and Theory
Mary Emery Hall | PO Box 210003 | Cincinnati OH 45221-0003 | Phone: 513-556-6046