CCM Orchestral Series Presents

MAHLER AND THE ETERNAL

 

7:30 p.m. Saturday, April 22, 2023, Corbett Auditorium

CCM Philharmonia

Mark Gibson, music director and conductor
Featuring faculty artist Stuart Skelton, tenor; and alumni guest artist Catherine Martin, mezzo-soprano

CCM's first performance in over a quarter of a century of Mahler's penultimate masterwork features one of the world's outstanding Mahlerians, Stuart Skelton, and acclaimed mezzo-soprano and CCM alumna, Catherine Martin (MM Voice, '09). CCM alumnus Brian Raphael Nabors’ (MM Composition, ’15; DMA Composition, ’19) Onward! opens the concert, an apt prelude to Mahler's discourse on life, love and eternity.

Watch Concert Excerpts On Demand

Musical Selections

Philharmonia Repertoire

  • Onward! (2019) 
    Brian Nabors (b. 1991)                           
    Brian McCann, graduate student conductor 

  • Das Lied von der Erde (1909)
    Gustav Mahler (1860-1911) 
    Catherine Martin, mezzo-soprano
    Stuart Skelton, tenor 
    • 1. Das Trinklied von Jammer der Erde (tenor)
    • 2. Der Einsame im Herbst (mezzo-sop)
    • 3. Von der Jugend (tenor)
    • 4. Von der Schönheit (mezzo-sop)
    • 5. Der Trunkene im Frühling (tenor)
    • 6. Der Abschied (mezzo-sop)

About Alumni Guest Artist Catherine Martin

Catherine Martin

Praised by The Washington Post for her “gorgeous, warm voice that you want to keep listening to,” American mezzo-soprano Catherine Martin continues to make an impact in repertoire ranging from Verdi and Wagner to Strauss and Bellini. In the 2022-2023 season, Ms. Martin makes her role debut as Fricka in Dayton Opera’s Das Rheingold, bows as Santuzza in Cavalleria rusticana with Opera Colorado, returns to Lyric Opera of Chicago as Eboli (cover) in Don Carlos, returns to Maryland Lyric Opera as Mistress Quickly in Falstaff, and joins Des Moines Metro Opera as Clarice in The Love for Three Oranges. The 2021-2022 brought Ms. Martin to Kentucky Opera for her role debut as Orfeo in Orfeo ed Eurydice, Opera Carolina as Amneris is Aida, Dallas Opera as the Minkswoman in Flight, Rochester Philharmonic Orchestra as the Witch in Hansel and Gretel, and Maryland Lyric Opera as Eboli in Don Carlos. In the previous season, Ms. Martin appeared as Waltraute in Twilight: Gods with Michigan Opera Theatre and Lyric Opera of Chicago, as Wellgunde in Götterdämmerung with the National Taichung Theatre in Taiwan, the cover of Sister Helen Prejean in Dead Man Walking and singing the 2nd Norn in Götterdämmerung and Waltraute in Die Walküre at Lyric Opera of Chicago, and covering Marguerite in Berlioz’s Le damnation de Faust with the Metropolitan Opera.  

Highlights from recent seasons include Sister Helen Prejean in Dead Man Walking with Minnesota Opera and Dayton Opera as well as covering Sister Helen at Washington National Opera; performances in various roles from Wagner’s Ring Cycle with Lyric Opera of Chicago, Houston Grand Opera, Washington National Opera, Boston Symphony Orchestra at Tanglewood, the Dallas Symphony, and National Taichung Theatre in Taiwan; Amneris in Aïda with Houston Grand Opera, Opera Colorado, and Opera Santa Barbara; Adalgisa in Norma with Florida Grand Opera; Der Komponist in Ariadne auf Naxos at The Glimmerglass Festival; Hécube and covering Didon in Les Troyens with Lyric Opera of Chicago; Maddalena in Rigoletto with New Orleans Opera and Opera Santa Barbara; Herodias in Salome with Dayton Opera; Meg in Falstaff with Intermountain Opera; Leonora in La favorita with New Amsterdam Opera; Wowkle in La fanciulla del West with Maryland Lyric Opera; Annina and the cover of Octavian in Der Rosenkavalier with the National Symphony Orchestra; Lieder eines fahrenden Gesellen with the American Youth Philharmonic Orchestra; and Messiah with the Handel Oratorio Society.

Ms. Martin is also an avid interpreter of contemporary opera. She has appeared as Mary in the world premiere of The Lion, the Unicorn, and Me with Washington National Opera; Genevieve in The Long Christmas Dinner with American Symphony Orchestra; Tamara in Enemies, A Love Story with Kentucky Opera; Eva Crowley in An American Dream with Lyric Opera of Chicago; Sara Miller in Approaching Ali with Washington National Opera; and the world premiere of Angela Rice’s Thy Will Be Done with the National Chorale at Lincoln Center.

An alumna of the Houston Grand Opera Studio she has performed Dorabella in Così fan tutte, Suzuki in Madama Butterfly, Anna in Maria Stuarda, Flora in La traviata, Berta in Il barbiere di Siviglia, and Dryad in Ariadne auf Naxos with HGO. There, she worked extensively with conductor Patrick Summers and covered artists such as Susan Graham, Joyce DiDonato, and Michelle DeYoung in roles such as Der Komponist, Sister Helen, and the title roles of Xerxes and The Rape of Lucretia. She was a member of The Glimmerglass Festival Young Artists Program and was a Filene Young Artist with Wolf Trap Opera. Ms. Martin was a Grand Finalist and the only female representing the United States in the 2017 International Viñas Competition held at Barcelona’s Gran Teatre del Liceu. She received Richard Tucker Award nominations in 2015, 2016, and 2017 and was 2nd Place winner of the 2016 Maryland Lyric Opera Competition, 2nd place winner in the 2013 Jensen Competition, a semi-finalist in the 2012 Metropolitan Opera National Council Auditions, a finalist in 2012 and an Encouragement Award winner in 2013 in the George London Competition, winner of the 2011 National Opera Association Competition, a semi-finalist in the Hans Belvedere Competition, and has won awards from the Eleanor McCollum Competition at Houston Grand Opera, The Dallas Opera Guild, and Annapolis Opera. She has received The Richard F Gold Career Grant at both Houston Grand Opera and Wolf Trap and the Catherine Filene Shouse Career Grant. A native of San Antonio, Texas, she holds a master’s degree from the University of Cincinnati College-Conservatory of Music and a bachelor’s degree from the University of North Texas.

About CCM Philharmonia

The CCM Philharmonia, under the direction of Professor and CCM Director of Orchestral Studies Mark Gibson, is recognized as one of the world’s elite conservatory orchestras. The breadth of each season’s concert series rivals many of the world’s great performing organizations, and the Philharmonia presents a body of repertoire that encompasses more than what most conservatories venture to program. The close bond between the Cincinnati Symphony Orchestra and CCM’s orchestral program invigorates student conductors and instrumentalists alike, and CCM’s commitment to high standards enriches the cultural life of Greater Cincinnati. 

the flair and technique of a professional ensemble

Rafael's Music Notes

Roster

Philharmonia Roster

Mark Gibson, music director

 

Violin I

  • Cassidy Franzmeier, concertmaster
  • Yasmine Bougacha, assistant
  • Gabby Sewell
  • Alayne Wegner
  • Zhe Xiao
  • Natalie Orth
  • Danbi Choi
  • Amelia Korbitz
  • Yu-Ting Chiu
  • Ava Shedd
  • Riki Nagai
  • Sejin Byun

Violin II

  • Clara Brown, principal
  • KayCee Galano, assistant
  • Yinyin Sun
  • Jiayi Sun
  • Kirin Rajamani
  • Ju-Young Lee
  • Madeline C. Marshall
  • Rafael Roig-Francoli
  • Andrew Smeader
  • Emma Joyce

Viola

  • Tyler McKisson, principal
  • Melissa Peraza, assistant
  • Celeste Meisel
  • Yufeng Lin
  • Lila Reeser
  • Yue Qin
  • Nathaniel Sendi
  • Peng-Huei Shen                                                     
  • Lauryn Koeppel                                            
  • Murphy Combs
  • Emily Stegmuller
  • Cristian Diaz

Cello

  • Jacqueline Pegis, principal
  • Abigail Leidy, assistant
  • Samantha Powell
  • Anna Macintosh
  • Hye-Jeong Oh
  • Joe Kovac
  • Lucas Orth
  • Liam Maliner
  • Luis Parra

Bass

  • Taiga Benito, principal
  • Hollie Greenwood, assistant
  • Brooks Salloum
  • Corey Watzek
  • Lorenzo Nigrelli
  • Kaleb Collins
  • Nicholas Blackburn
  • Lydia Young
  • Peter Kim
  • Anna Mears

Flute

  • Lianna Bartlett2
  • Dayna Hagstedt
  • Anne Luetkenhaus
  • Jocelyn Zhang1

Oboe

  • Leo De La Cruz
  • Ashley Miley
  • Luca Ortolani2
  • Elena Suarez Davila1

Clarinet

  • Rachel Beil2
  • Ian Bunt
  • Marian Mayen
  • Ji-Wen Tyler Song1
  • Jason Wilcox

Bassoon

  • Bryan Benson1
  • Kathleen Moran
  • Collin Walter2

Horn

  • Joseph Bagdovitz
  • Brady Catlett2
  • Jesus Garcia Palacios
  • Daniel Itzkowitz
  • Jacob Speakman1

Trumpet

  • Antwan Hill
  • Mary Maule2
  • David Riggs1

Trombone

  • Gabriel Gilliland2
  • Madison Smith1
  • Cameron Webb

Bass Trombone

  • Sean Reynolds

Tuba

  • Donovan Klutho

Timpani

  • Kyle Roemer

Percussion

  • Emily Dickman
  • Jared Kohle
  • Peter Loferski
  • Kyle Roemer

Harp

  • Mary Cate Duplantier
  • Sara Magill1&2

Mandolin

  • Noah Ward

1 denotes principal player in Nabors

2 denotes principal player in Mahler

Graduate Assistants

  • Stephan Fillare
  • Stephen Hardie
  • Brian McCann
  • Hannah Schendel

Librarians

  • Liam Gibb
  • Citlalmina Hernandez Toro

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CCM News

1

Donate instruments at LINKS drive on May 10-11

May 6, 2024

Through the Lonely Instruments for Needy Kids (LINKS) program, you can donate your used band or orchestra instrument to a young musician who cannot afford to rent or purchase their own. The LINKS instrument donation drive is at 10 a.m.-4 p.m. this Friday, May 10, and Saturday, May 11 2024, at any Willis Music or Buddy Rogers Music location. A project of CCMpower in partnership with Willis Music and Buddy Roger’s Music, LINKS began in 1994 as the brainchild of CCM alumnus Bill Harvey (BM Music Education, 1971). The owner of Buddy Roger’s Music, Harvey wanted to fill the need for students whose parents were unable to buy, rent or borrow an instrument. The solution was to create a “recycling program” for musical instruments.

3

CCM Musicals Series presents Caribbean fairy tale 'Once On This...

Event: March 28, 2024 8:00 PM

UC College-Conservatory of Music presents "Once On This Island," a Caribbean-set retelling of "The Little Mermaid," on March 28-30 at Patricia Corbett Theater. From the Tony Award-winning songwriting team of Lynn Ahrens and Stephen Flaherty (BM Composition, ’82), the musical shares the story of one small firl who finds love in a world of prejudice.

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CCMpower

CCMpower is a volunteer group of fans, advocates and alumni dedicated to empowering students and fueling the future of the arts through scholarship opportunities and more.

The competitive scholarships CCMpower provides help attract and retain the best and brightest students, nurture professional development opportunities and – in turn – continue CCM’s tradition of excellence for the next generation of student-artists. Join or renew your CCMpower membership today to help provide critical scholarship funds.

Join or renew your CCMpower member today to help provide critical scholarship funds. Visit foundation.uc.edu/ccmpower to learn more.

 


Sponsors

Louise Dieterle Nippert Trust
Scholarship and Resident Artist Sponsor
The Andrew W. Mellon Foundation
CSO/CCM Diversity Fellowship Sponsor
The Corbett Endowment at CCM
Dance Department Sponsor
All-Steinway School Sponsor
Louise H. & David S. Ingalls Foundation, Inc.
Community Partners
The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel
Visiting Artists & Thinking About Music Sponsor
Dr. & Mrs. Carl G. Fischer 
Greg Mathein 
Gary & Barb Cummins 
Jim & Linda Miller 
George & Carroll Roden
Musical Theatre Department Sponsors
Genevieve Smith
Opera Production Sponsor
Rafael and Kimberly de Acha
Opera D’Arte Sponsor
An Anonymous Donor
Estate of Mr. William A. Friedlander
Mrs. William A. Friedlander
Dr. Randolph L. Wadsworth
Judith Schonbach Landgren and Peter Landgren
Mr. & Mrs. Harry H. Santen
Elizabeth C.B. Sittenfeld
Mr. & Mrs. Thomas E. Stegman
Mrs. Theodore W. Striker
Mrs. Harry M. Hoffheimer
Ariel Quartet Sponsors
Jan Rogers
Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation
Choral Studies Sponsors
Anonymous
  Classical Guitar Sponsor

Mr. & Mrs. Joseph W. Hirschhorn
Orchestral Sponsor
Dorothy Richard Starling Foundation
Starling Pre-Collegiate Sponsor
Starling Strings Sponsor
Dr. Timothy E. and Janet L. Johnson
Thom Miles and Roberta Gary
Organ Department Sponsors
Keyboard Club of Cincinnati
Louis and Susan Meisel
Piano Department Sponsors
Kevin and Nancy Rhein
   Wind Studies Sponsor
Buddy Rogers Music
LINKS Sponsor
Sponsors listed as of Sept. 7, 2023

General Information


Land Acknowledgment

The Cincinnati area and the land that the University of Cincinnati has been built on is the native homeland of the Indigenous Algonquian speaking tribes, including the Delaware, Miami, and Shawnee tribes.


Box Office

Located in the CCM Atrium, the Box Office is open Monday through Friday, 1-5 p.m.; and one hour prior to curtain for all ticketed performances. MasterCard, Visa and Discover cards are accepted.

  • Location: CCM Atrium Lobby next to Corbett Auditorium
  • Telephone: 513-556-4183
  • Email: boxoff@uc.edu
  • Mail: CCM Box Office, P.O. Box 210003, Cincinnati, OH 45221-0003

Parking

Convenient parking is available in the CCM Garage at the base of Corry Boulevard off of Jefferson Avenue. Additional parking is available in garages throughout the UC campus. Any questions concerning on-campus parking should be directed to UC Parking Services at 513-556-2283.


Tax Credit

If you find that you cannot attend your performance, your tickets may be donated for tax credit as a charitable contribution. Simply notify the Box Office prior to the performance to release your seats, and give your name and address. A tax donation receipt will be mailed to you.


Lost and Found

If you have lost an item, contact lost and found at 513-556-9413.


House Policies

The House Manager has been instructed to minimize the disturbance to patrons already seated when accommodating latecomers. The director and producer of each production select times that are least likely to interrupt the performance, and latecomers will be seated only during these times. Latecomers who miss these opportunities will not be admitted until intermission. Children under the age of 6 will not be admitted.


Cameras, Phones and Recording Devices

The video or audio recording of performances is prohibited.

The use of cameras, with or without flashes, recording devices, cellular phones and other electronic devices inside the theater is prohibited. Please leave them with the House Manager.


Smoking and Refreshments

Smoking and refreshments are not permitted in the theater. Effective May 1, 2017, smoking and tobacco use (including chewing tobacco and electronic cigarettes) shall be prohibited by students, staff, faculty, visitors, vendors and contractors at all times in or on University of Cincinnati properties, including events on university property during non-school hours. This includes all shelters, indoor and outdoor theaters and athletic facilities, bridges, walkways, sidewalks, residence halls, parking lots, and street parking and garages owned by the university.


Hearing Enhancement

Telex listening devices are available for checkout during performances in both Patricia Corbett Theater and Corbett Auditorium. Please inquire at the Box Office.


Wheelchair Seating

Wheelchair seating is available in both Corbett Auditorium and Patricia Corbett Theater. Seating is limited, so reservations should be made with the Box Office when ordering tickets. These seats are subject to availability.


Group Sales

The Box Office can accommodate groups for major productions and concerts. Preview and benefit performances are also available for some productions. For more information, call the CCM Box Office at 513-556-4183.


CCM Faculty and Staff

CCM's faculty and staff and its state-of-the-art facilities make possible the professional training and exceptional education on which CCM believes the future of the arts relies. The school's roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. More than 150 internationally recognized faculty members work with students from around the world, specializing in eight areas of study.


Know Your Exit

Corbett Auditorium emergency exits are located at the back left and right of the balcony level, the back left and right of the main floor level, and at the left and right at the front of the stage.

Performance dates and repertoire are subject to change. View CCM's current calendar of events.

The purpose of these performances is educational, and they are part of a University of Cincinnati academic program.