CCM ORCHESTRAL + Choral SERIES PRESENTS

MAHLER RESURRECTION

7:30 p.m. Saturday, Sept. 21, 2024, Corbett Auditorium

CCM Philharmonia + CCM Combined Choirs

Mark Gibson, music director and conductor 
Featuring alumni guest artists Amanda Woodbury, soprano; and Kayleigh Decker, mezzo-soprano 
Joe Miller
, director of choral studies

Watch CCM's Performance of Mahler's "Resurrection" Symphony On Demand

Repertoire

  • Fidelio Overture, Op. 72 (1805) 
    Ludwig van Beethoven (1770-1827)

  • Symphony No. 2, "Resurrection" (1894)
    Gustav Mahler ( 1860-1911)                         
    • I. Allegro maestoso
    • II. Andante moderato
    • III. In ruhig fließender Bewegung 
    • IV. "Urlicht"
    • V. Im Tempo des Scherzos

Texts and Translations

O Röschen roth! 
Der Mensch liegt in größter Noth! 
Der Mensch liegt in größter Pein! 
Je lieber möcht' ich in Himmel sein! 
Da kam ich auf einen breiten Weg: 
Da kam ein Engelein und wollt’ mich abweisen. 
Ach nein! Ich ließ mich nicht abweisen: 
Ich bin von Gott und will wieder zu Gott! 
Der liebe Gott wird mir ein Lichtchen geben, 
Wird leuchten mir bis in das ewig selig Leben!

O little red rose! 
Man lies in greatest need! 
Man lies in greatest pain! 
How I would rather be in heaven. 
There came I upon a broad path 
when came a little angel and wanted to turn me away. 
Ah no! I would not let myself be turned away! 
I am from God and shall return to God! 
The loving God will grant me a little light, 
Which will light me into that eternal blissful life!

- From Des Knaben Wunderhorn

Aufersteh’n, ja aufersteh’n wirst du,
Mein Staub, nach kurzer Ruh!

Unsterblich Leben
Wird der dich rief dir geben.

Wieder aufzublüh’n wirst du gesät!
Der Herr der Ernte geht
Und sammelt Garben
Uns ein, die starben.
- Friedrich Klopstock

O glaube, mein Herz, o glaube:
Es geht dir nichts verloren!

Dein ist, was du gesehnt!
Dein, was du geliebt, Was du gestritten!

O glaube,
Du wardst nicht umsonst geboren!
Hast nicht umsonst gelebt, gelitten!

Was entstanden ist, das muß vergehen!
Was vergangen, auferstehen!
Hör' auf zu beben!
Bereite dich zu leben!

O Schmerz! Du Alldurchdringer!
Dir bin ich entrungen!
O Tod! Du Allbezwinger!
Nun bist du bezwungen!
Mit Flügeln, die ich mir errungen,
In heißem Liebesstreben,
Werd' ich entschweben
Zum Licht, zu dem kein Aug' gedrungen!
Sterben werd' ich, um zu leben!

Aufersteh'n, ja aufersteh'n wirst du,
Mein Herz, in einem Nu!
Was du geschlagen,
Zu Gott wird es dich tragen!
- Gustav Mahler

Arise, yes, you will arise from the dead,
My dust, after a short rest!
Eternal life!
Will be given you by Him who called you.

To bloom again are you sown.
The lord of the harvest goes
And gathers the sheaves,
Us who have died.
- Friedrich Klopstock

O believe, my heart, oh believe,
Nothing will be lost to you!

Everything is yours that you have desired,
Yours, what you have loved, what you have struggled for.

O believe,
You were not born in vain,
Have not lived in vain, suffered in vain!

What was created must perish,
What has perished must rise again.
Tremble no more!
Prepare yourself to live!

O Sorrow, all-penetrating!
I have been wrested away from you!
O Death, all-conquering!
Now you are conquered!
With wings that I won
In the passionate strivings of love
I shall mount
To the light to which no sight has penetrated.
I shall die, so as to live!

Arise, yes, you will arise from the dead,
My heart, in an instant!
What you have conquered
Will bear you to God.
- Gustav Mahler

Alumni Guest Artists

Amanda Woodbury

Amanda Woodbury. Photo by Fay Fox.

Amanda Woodbury. Photo by Fay Fox.

A native of Crestwood, Kentucky, soprano Amanda Woodbury has been praised by the San Francisco Chronicle as having a voice that is “bright, beautifully colored, and full of strength and passion.” Ms. Woodbury recently made her house debut at Irish National Opera reprising her signature role of Violetta in Olivia Fuchs’ production of La Traviata at the historic Gaiety Theatre. Ms. Woodbury also made her house debut at Opéra national du Lorraine as Elettra in Idomeneo in 2023.

In 2022 Ms. Woodbury returned to Los Angeles Opera for her role debut in the title role of Lucia di Lammermoor, which the LA Times said “all flows from her without effort.” Ms. Woodbury also debuted the role of Catherine of Aragon in Saint-Saëns’ Henry VIII with the Bard Music Festival.

Career highlights include Ms. Woodbury’s debut with the Glyndebourne Festival as Countess in the Michael Grandage production of Le nozze di Figaro, multiple appearances at the Metropolitan Opera including Countess in Le nozze di Figaro, a role debut as Juliette in the new Bartlett Sher production of Roméo et Juliette, Leïla in Les Pêcheurs des perles, Woglinde in Robert Lepage’s productions of Das Rheingold and Götterdämmerung, Tebaldo in Don Carlo, appearances on the Rising Stars concert series, and covers of the title role in Manon and Rodelina, Norina in Don Pasquale and Antonia in Les contes d’Hoffmann. Ms. Woodbury has also been regularly seen on the stage of LA Opera with roles including Lucia in Lucia di Lammermoor, Micaëla in Carmen, Musetta in La bohème, and Papagena in Die Zauberflöte. Additional operatic highlights include the role of Violetta in La traviata with the Glimmerglass Festival, San Antonio Opera, Lyric Opera of Kansas City and Irish National Opera, Pia in Donizetti’s Pia de’ Tolomei with the Spoleto festival, the title role in Bellini’s La straniera with Washington Concert Opera, her role debut as Marguerite in Faust with Tulsa Opera, Konstanze in Die Entführung aus dem Serail with Des Moines Metro Opera, Madison Opera, Opera Omaha, and Dayton Opera, Pamina in Die Zauberflöte with Madison Opera, Donna Anna in Don Giovanni with the Merola Opera Program, and Lauretta in Gianni Schicchi at the Aspen Music Festival. Ms. Woodbury was scheduled to make her debut with the Glyndebourne Festival in the role of Konstanze in Die Entführung aus dem Serail, and her debut with Opera Hong Kong as Opehlia in Thomas’ Hamlet, both of which were cancelled due to COVID-19.

Concert work includes her LA Phil debut as the soprano soloist in Beethoven’s Choral Fantasy conducted by Gustavo Dudamel, Handel’s Messiah with the Mormon Tabernacle Choir, Mahler’s Symphony Number 8 and Haydn’s Creation with the Cincinnati May Festival conducted by James Conlon, the soprano soloist in Carmina Burana with the Aspen Music Festival, Fauré’s Requiem with the Alabama Symphony Orchestra, and her international debut singing Ophelia’s mad scene from Hamlet by Thomas with Tokyo Metropolitan Symphony Orchestra. Additional appearances include American Symphony Orchestra for a concert of Bach Arias, marking her Alice Tully Hall debut, and Mozart Mass in C with the New Choral Society.

In 2014 Ms. Woodbury was honored as a Grand Final Winner of the Metropolitan Opera National Council Auditions and second place and audience choice award in Plácido Domingo’s Operalia competition. Ms. Woodbury was also awarded both a Sarah Tucker Study Grant and Richard Tucker Career Grant, as well as Second Place and audience choice award in both the Eleanor McCollum Houston Grand Opera competition and the Dallas Opera competitions.

Ms. Woodbury received a Master of Music Degree in Vocal Performance at the University of Cincinnati College-Conservatory of Music, a Bachelor of Music degree at Indiana University.

Kayleigh Decker

Kayleigh Decker. Photo/Provided.

Kayleigh Decker. Photo/Provided.

Praised for her ‘shimmering mezzo-soprano' and a voice of ‘pure vocal gold’, American mezzo-soprano Kayleigh Decker is quickly garnering an international reputation for her artistry and versatility in opera and on the concert platform.

In the 2024/25 season, Decker will make a series of debuts including her role debut as Cherubino in Mozart Le Nozze di Figaro at Chicago Lyric Opera, a house and role debut as Wellgunde in Wagner Das Rheingold, and a house debut as cover Cherubino in Mozart Le Nozze di Figaro at The Metropolitan Opera. On the concert platform, Decker will return to Chicago to perform Handel Messiah with The Chicago Apollo Chorus and the Orchestra of the Age of Enlightenment in Copenhagen, will sing Ethel Smyth Mass in D at Washington National Cathedral and Mahler 2 with CCM. In recital, Kayleigh returns to SOKA Performing Arts Center for Mahler Ruckert Lieder and takes part in the ‘Beyond the Aria’ recital series at the Harris Theater, Chicago.

Last season Decker made a house debut for Welsh National Opera as Dorabella in a new production of Mozart Cosi fan tutte conducted by Tomáš Hanus, returned to Cincinnati Opera for staged performances of Paul McCartney’s Liverpool Oratorio and covered Angelina in Rossini La Cenerentola for Boston Lyric Opera. On the concert platform Kayleigh made debuts with the San Francisco Symphony and Orchestre de Paris for Stravinsky Les Noces conducted by Esa Pekka Salonen, Mozart Requiem with the orchestra of Welsh National Opera conducted by Tomáš Hanus, Handel Messiah with the Orchestra of the Age of Enlightenment conducted by Mogens Dahl and her debut with the Grant Park Music Festival for Mahler 8. A keen recitalist, Kayleigh performed with Soka University, the Cincinnati Song Initiative and the Pacific Vocal Series.

Recent highlights have included her house and role debut as Dorabella in Mozart Cosi fan Tutte for Dallas Opera, Ruggiero Handel Alcina with Les Violons du Roy conducted by Jonathan Cohen, her role debut as Isolier in Rossini Le Comte Ory for Lyric Opera Chicago, described as “The finest overall performance of the afternoon” by the Chicago Classical Review, as well returning to Cincinnati Opera in her role debut as Alisa in Donizetti Lucia di Lammermoor and Kate Pinkerton in Puccini Madama Butterfly.

As an ensemble member of The Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago, Kayleigh’s roles included her debut as Second Cretan Woman in Mozart Idomeneo, Kate Pinkerton in Puccini Madama Butterfly and a number of notable cover roles, including Le Prince Charmant in Massenet Cendrillon, Rosina in Rossini The Barber of Seville, Laura in Verdi Luisa Miller and Donna Elvira in Mozart Don Giovanni conducted by James Gaffigan.

A passionate song interpreter, she was named one of Caramoor’s 2018 Schwab Vocal Rising Stars and was a participant in the inaugural season of Renée Fleming’s SongStudio at Carnegie Hall. She has given recitals produced by the Cincinnati Song Initiative, Pelican Hill recital series and recently performed a solo recital at Carnegie Hall and the Chicago Cultural Center.

In 2019, Kayleigh was the recipient of three prestigious scholarships: the Luminarts Fellowship, first place in the Musicians Club of Women Scholarship Competition, and a Sara Tucker Study Grant from the Richard Tucker Foundation. Further accolades include first place in the Three Arts Scholarship Fund Competition and The Macdowell Society Scholarship Award in Cincinnati, second place in the Metropolitan Opera National Council Auditions-Great Lakes Region, first place in the CCM Opera Scholarship Competition, and the Encouragement award in the Metropolitan Opera National Council Auditions-Cincinnati District in 2016.

Kayleigh was a young artist at the Glimmerglass Festival, Opera Theatre of Saint Louis, and the Utah Festival Opera. Other training programs include the Houston Grand Opera Young Artists Vocal Academy, and Oberlin in Italy. She also participated in the first of Joyce DiDonato’s Masterclass Series at Carnegie Hall, streamed live on Medici.tv.

About CCM Orchestras

The CCM Philharmonia, under the direction of Professor and CCM Director of Orchestral Studies Mark Gibson, is recognized as one of the world’s elite conservatory orchestras. The breadth of each season’s concert series rivals many of the world’s great performing organizations, and the Philharmonia presents a body of repertoire that encompasses more than what most conservatories venture to program. The close bond between the Cincinnati Symphony Orchestra and CCM’s orchestral program invigorates student conductors and instrumentalists alike, and CCM’s commitment to high standards enriches the cultural life of Greater Cincinnati. 

About CCM Choral

CCM's Choral Studies Program is internationally recognized for more than 50 years of excellence in training conductors for successful, lifelong careers in the choral arts. Our choral ensembles are proud to offer transformative musical experiences for singers and audiences. CCM has delighted multiple generations of music lovers with the concerts presented by its five choral ensembles: the 32-voice Chamber Choir, 45-voice Chorale, 30-voice Chamber Singers, Vox Antiqua — a select vocal/instrumental ensemble dedicated to Medieval, Renaissance and early Baroque music — and 100-voice UC Men's and UC Women's Choruses. Performances range from acclaimed staged productions presented in collaboration with CCM’s Opera Department to presentations of contemporary works like David Lang’s Little Match Girl Passion and Tan Dun’s Water Passion after St. Matthew.

the flair and technique of a professional ensemble

Rafael's Music Notes

Rosters

CCM Philharmonia

Mark Gibson, music director and conductor

Carlos Avendano-Garcia, off stage band conductor

Michael Patterson, off stage band conductor

Violin 1

  • Hyunwoo Park, Concertmaster
  • Ruey-Yun Chao, Assistant
  • Lucas Ferreira Braga
  • Zhaoying Feng
  • Yihan He
  • Po-Ling Huang
  • Emma Joyce
  • Lillian A. Kostraba
  • Riki Nagai
  • Eli Schrubbe
  • Ava Shedd
  • Olivia Simons
  • Andrew Smeader
  • Yue Yang

Violin 2

  • Kalli Sobania, Principal
  • Rachel Elfman, Assistant
  • Jiarui Liu
  • Kana Luzmoor
  • Kerrigan Mandrell
  • Shannon Meng
  • Joel Paterson
  • Go Wing Chin Rain
  • Gabrielle Sewell
  • Yutong Wu
  • Tao Xue

Viola

  • Melissa Peraza, Principal 
  • Ryan De La Ree, Assistant
  • Mariia Demash
  • Kody Dunford
  • Jeremy Egerton
  • Anqi Jiang
  • Aidan Knox
  • Dannielle Lopez
  • Catherine Mazon
  • Sarah Nichols
  • Isabella Prater
  • Lila Reeser

Cello

  • Jamie Clark, Principal
  • Aiden Bolding, Assistant
  • Colin Gregoire
  • Matthew Lei
  • Adalus Low-Manzini
  • Manuel Papale
  • Krish Subramanian
  • Myles Yeazell
  • Amani Zouehid

Bass

  • Elizabeth Liotta, Principal
  • Bailey Amspoker, Assistant
  • Jo Arnold 
  • Chiyang Chen
  • Caleb Edwards 
  • Jane Hanneman 
  • Jack Kotchka-Smith
  • Gregory Patterso
  • Wendell Rodrigues
  • Rachel Calin, CCM Professor of Double Bass

Flute and Piccolo

  • Lauren Jett1
  • Kayla Gage2
  • Betania Canas
  • Jocelyn Zhang

Oboe and English Horn

  • Olivia Leake2
  • Elijah Barrios3
  • Evan Dial
  • Jonah Hertzman3

Clarinet

  • Owen Cheung, Eb Clarinet
  • Jo-Ya Lin1
  • Talor Marren2
  • Casey McGuire, Bass Clarinet
  • Luis Umbelino, Eb Clarinet

Bassoon

  • Bryan Benson1
  • Jonathan Headen
  • Joshua Butenschoen, Contrabassoon
  • Evan Schultz2

Horn

  • Michael Calvin
  • Madeleine Case4
  • Pin-Yu Chen14
  • Alexander Fanetti
  • Benjamin Humphries2
  • Shawn Knapp4
  • Hayden LaVelle4
  • Kaylee Skaris
  • Gilbert Trevino
  • Sarah Zhukenova

Trumpet

  • Gabriel Curtis4
  • Alexa Dziatkowski
  • Zige Huang
  • Joel Kayser2
  • Jaedong Kim
  • Josh Krovetz4
  • Brendan Mathieson4
  • Austin Park  
  • Emily Rahn4
  • Weifeng Zhao1

Trombone

  • Sean LaRoy
  • Nathan Petersen, Contrabass Trombone
  • Declan Phelps2
  • Madison Smith1

Tuba

  • Michael Ring

Timpani

  • Marie Conti2
  • Peter Loferski

Percussion

  • Maddie Adams
  • Liang Dong
  • Josiah Jobe
  • Jared Kohli

Harp

  • Emily Stone2
  • Zibin Zhou

Organ

  • Daniel Grotz

1 denotes principal player in Beethoven

2 denotes principal player in Mahler

3English Horn player

4Off stage band in Mahler

Graduate Assistants

  • Carlos Avendano-Garcia
  • Yuval Barak
  • Alfonso Keller-Casielles
  • Michael Patterson
  • Moyue Zhou

Librarians

  • Liam Gibb
  • Citlalmina Hernandez Toro

UC Choruses

Alta Petit Treble Choir

Trevor Kroeger, conductor

Jennifer Liu, assistant conductor

  • Avery Allen
  • Emma Awtrey
  • Audrey Baker
  • Sarah Bender
  • Natalie Bennings
  • Bella Board
  • Molly Brian
  • Joedy Burnside
  • Allison Clifford
  • Katie Doll
  • Natalie Eisenman
  • Daisy Eng
  • Maddie Forbis
  • Chloe Freeman
  • Helen Gerrity
  • Yuki Gong
  • Sabrina Halili-Felse
  • Isabelle Hasty
  • Summer Hussain
  • Liv Kelsey
  • Seven Kiener
  • Icarus Lamkin
  • Kate Lutz
  • Catherine Mazon
  • Gwenyth Miroslaw
  • Amiya Monroe
  • Olivia Mueller
  • Alyssa Novak
  • Ava Schmidt
  • Madeline Schrand
  • Olivia Stoudt
  • Catherine Vo
  • Annika Wasen

 

Juncta Juvant Tenor & Bass Choir

Ryan Block, conductor

Andrew Miller, assistant conductor

  • Jack Albers
  • Ryan Antczak
  • Henry Brandt
  • Tyler Cailteux
  • Jim Creamer
  • Corbin Grantham
  • Caleb Herr
  • Jacob Hess
  • Corvo Hopkins
  • Quinn Hunt
  • Jack Kosiorek
  • Isaac Murray
  • Gus Rumpke
  • Carter Schmidt
  • Yousef Shamma
  • Chris Valaski
  • Caleb Ward
  • William Warfel
  • Christopher Young

CCM Chamber Choir

Joe Miller, music director and conductor

Rachel Feldman and Sergey Tkachenko, assistant conductors

Soprano

  • Elise Byard
  • Helele Fan
  • Claire Gundersen
  • Jennifer Liu
  • Ellie Naehring
  • Mary Okotie
  • Christin Sears
  • Maya Vansuch
  • Audrey Weber

Alto

  • Rachel Feldman
  • Stella Fitzgerald
  • Elaina Hill
  • Shir Ordo
  • Samantha Pape
  • Kayla Sconiers
  • Sydney Sorbet
  • Nikki Tayidi

Tenor

  • Mark Behrendt
  • Ryan Block
  • Levi Capesius
  • Valerie Dreith
  • Cameron Howard
  • Eric Reidel
  • Alex Roesler
  • Clark Xiong

Bass

  • Kade Bennett
  • Harrison Hancock
  • Joel Jamison
  • Trevor Kroeger
  • Ethan Neal
  • Landon Scriber
  • Michael Temesi
  • Sergey Tkachenko

CCM Chorale

Brett Scott, music director and conductor

Alberto de la Paz and Andrew Miller, assistant conductors

Soprano

  • Ally Andrade
  • Bella Board
  • Sofiya Chvojka
  • Catherine Fields
  • Alexzandra Foitzik
  • Fiona Hughes
  • Meakah Little
  • Olivia Macina
  • Natalie Marshall
  • Alea Mauriello-Vernon
  • Lea Nayak
  • Mira Samir Desai
  • Nia Spaulding
  • Ariana Troxell-Layton
  • Leah Yackanech
  • Ayan Yacob

Alto

  • Bartzis
  • Iris Bogin
  • Caroline Carter
  • Natalie Corrigan
  • Eleanor Elmore
  • Charlie Hinckley
  • Sydney Horan
  • Kate Liang
  • Katie Menster
  • Angela Mueller
  • Meredith Nguyen
  • Ana Pimentel
  • Laiya Solimano-Nichols
  • Hanna Varner

Tenor

  • Joseph Brantley
  • Jack Bunch
  • Timothy Michael Carnahan II
  • Alberto de la Paz
  • Anthony Dillion
  • Riley Foos
  • Alex Herron
  • Jack Keller
  • Matt Lawrence
  • AJ Matson
  • Andrew Miller
  • Ian Pathak
  • Cristian Paz Aguilar
  • Jiayin Wang

Bass

  • Edmund Brumback
  • Lazuli Clark
  • Lucas Maceroni
  • Carlos Pagan-Vazquez
  • Sang Bin Park
  • Alan Rendzak
  • Noyi Soto-Anglade
  • Daniel Wicks
  • Cory Wilcher

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CCM News

1

Watch: The CCM Wind Symphony performs guest composer Viet...

November 20, 2024

The UC College-Conservatory of Music's concert series continued on November 1 with a performance by the CCM Wind Symphony presenting multiple pieces by guest composer Viet Cuong, who is one of the most inventive voices in the wind repertoire. The centerpiece of the concert was Cuong’s piece Re(new)al, a concerto for percussion quartet that celebrates the innovations of renewable energy. The four soloists use crystal glasses, a single snare drum, compressed air cans and more to evoke three sources of renewable energy: hydro, wind and solar.

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The competitive scholarships CCMpower provides help attract and retain the best and brightest students, nurture professional development opportunities and – in turn – continue CCM’s tradition of excellence for the next generation of student-artists. Join or renew your CCMpower membership today to help provide critical scholarship funds.

Join or renew your CCMpower member today to help provide critical scholarship funds. Visit foundation.uc.edu/ccmpower to learn more.

 


Supporters

Louise Dieterle Nippert Trust
Scholarship and Resident Artist Supporter
The Andrew W. Mellon Foundation
CSO/CCM Diversity Fellowship Sponsor
The Corbett Endowment at CCM
Dance Department Supporter
All-Steinway School Supporter
The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel
Visiting Artists & Thinking About Music Supporter
William L. Gasch Endowment Fund for Dance Excellence
CCM Dance Department Supporter
J. Brett Offenberger, MD and Mr. Douglas E. Duckett;
Dr. & Mrs. Carl G. Fischer 
Greg Mathein 
Jim & Linda Miller 
George & Caroll Roden
Musical Theatre Department Supporters
Gearsupply.com AV Marketplace
Theater Design & Production Supporter
The Estate of Genevieve Smith
Opera Production Supporter
Bacchus Legacy Foundation
TAPAA Guest Director Supporter
Rafael and Kimberly de Acha
Opera D’Arte Supporter
Estate of Mrs. William A. Friedlander
Dr. Randolph L. Wadsworth
Judith Schonbach Landgren and Peter Landgren
Mr. & Mrs. Harry H. Santen
Elizabeth C.B. Sittenfeld
Elizabeth Stone
Mr. & Mrs. Thomas E. Stegman
Mrs. Theodore W. Striker
Mrs. Harry M. Hoffheimer
Ariel Quartet Supporters
Friedlander Family Fund
Karl Zipser
Chamber Music at CCM
Jan Rogers
Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation
Choral Studies Supporters
Anonymous
Classical Guitar Supporter
Mr. & Mrs. Joseph W. Hirschhorn
Philharmonia Supporters
Dorothy Richard Starling Foundation
Starling Pre-Collegiate Supporter
Starling Strings Supporter
Dr. Timothy E. and Janet L. Johnson
Thom Miles and Roberta Gary
Organ Department Supporters
Keyboard Club of Cincinnati
L. Ried Schott
Piano Department Supporters
Kevin and Nancy Rhein
Wind Studies Supporters
Willis Music/ Buddy Rogers Music
LINKS Instrument Donation Supporter
Strader Fund of the Greter Cincinnati Foundation
CCM Innovation Supporter


Sponsors listed as of August 1, 2024

General Information


Land Acknowledgment

The Cincinnati area and the land that the University of Cincinnati has been built on is the native homeland of the Indigenous Algonquian speaking tribes, including the Delaware, Miami, and Shawnee tribes.


Box Office

Located in the CCM Atrium, the Box Office is open Tuesday through Friday, 1-5 p.m.; and one hour prior to curtain for all ticketed performances. MasterCard, Visa and Discover cards are accepted.

  • Location: CCM Atrium Lobby next to Corbett Auditorium
  • Telephone: 513-556-4183
  • Email: boxoff@uc.edu
  • Mail: CCM Box Office, P.O. Box 210003, Cincinnati, OH 45221-0003

Parking

Convenient parking is available in the CCM Garage at the base of Corry Boulevard off of Jefferson Avenue. Additional parking is available in garages throughout the UC campus. Any questions concerning on-campus parking should be directed to UC Parking Services at 513-556-2283.


Tax Credit

If you find that you cannot attend your performance, your tickets may be donated for tax credit as a charitable contribution. Simply notify the Box Office prior to the performance to release your seats, and give your name and address. A tax donation receipt will be mailed to you.


Lost and Found

If you have lost an item, contact lost and found at 513-556-9413.


House Policies

The House Manager has been instructed to minimize the disturbance to patrons already seated when accommodating latecomers. The director and producer of each production select times that are least likely to interrupt the performance, and latecomers will be seated only during these times. Latecomers who miss these opportunities will not be admitted until intermission. Children under the age of 6 will not be admitted.


Cameras, Phones and Recording Devices

The video or audio recording of performances is prohibited.

The use of cameras, with or without flashes, recording devices, cellular phones and other electronic devices inside the theater is prohibited. Please leave them with the House Manager.


Smoking and Refreshments

Smoking and refreshments are not permitted in the theater. Effective May 1, 2017, smoking and tobacco use (including chewing tobacco and electronic cigarettes) shall be prohibited by students, staff, faculty, visitors, vendors and contractors at all times in or on University of Cincinnati properties, including events on university property during non-school hours. This includes all shelters, indoor and outdoor theaters and athletic facilities, bridges, walkways, sidewalks, residence halls, parking lots, and street parking and garages owned by the university.


Hearing Enhancement

Telex listening devices are available for checkout during performances in both Patricia Corbett Theater and Corbett Auditorium. Please inquire at the Box Office.


Wheelchair Seating

Wheelchair seating is available in both Corbett Auditorium and Patricia Corbett Theater. Seating is limited, so reservations should be made with the Box Office when ordering tickets. These seats are subject to availability.


Group Sales

The Box Office can accommodate groups for major productions and concerts. Preview and benefit performances are also available for some productions. For more information, call the CCM Box Office at 513-556-4183.


CCM Faculty and Staff

CCM's faculty and staff and its state-of-the-art facilities make possible the professional training and exceptional education on which CCM believes the future of the arts relies. The school's roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. More than 150 internationally recognized faculty members work with students from around the world, specializing in eight areas of study.


Know Your Exit

Corbett Auditorium emergency exits are located at the back left and right of the balcony level, the back left and right of the main floor level, and at the left and right at the front of the stage.

Performance dates and repertoire are subject to change. View CCM's current calendar of events.

The purpose of these performances is educational, and they are part of a University of Cincinnati academic program.