GALLERY: CCM presents Dance Works, March 5-7
March 5, 2026
UC College-Conservatory of Music presents Dance Works, playing March 5-7 in Patricia Corbett Theater. Tickets are on sale through the CCM Box Office.
CCMOnStage Dance Presents
Dec. 2-5, 2021, Patricia Corbett Theater
Dance Department Supporter
The Corbett Endowment at CCM
*CCM student
*Please be advised, some concert lighting effects may resemble or have a strobe affect
Dance Works will run approximately 90 minutes with a short pause between "Twilight Tango" and "Falling Upwards"
Aya Yoshida
Aya Yoshida is a Japanese composer. Born in Kobe, Japan in 1992. She began composing at 6 under the guidance Mrs.Yasuko Osato. She graduated from Toho Gakuen School of Music in Tokyo under the tutelage of composition lecturer Kenya Masakado and Prof.Masaki Norikura in 2014. She also studied composition theory and classical piano performance with Prof. Masaki Norikura. She trained in violoncello and classical vocal with lecturer Yoko Hasegawa and lecturer Kei Yonashiro during her time in Japan. Since 2014, she moved to Copenhagen,Denmark and she completed her postgraduate studies in composition with Niels Rosing Schow and Jeppe Just Christensen at The Royal Danish Academy of Music.
Her works have been performed in Japan and Europe by diverse range of soloists, ensembles and orchestras, including the performances by Curious Chamber Players in Viitasaari, Finland (2013), by Arditti Quartet (2014) and by Danish Radio Symphony Orchestra (2016) in Copenhagen, Denmark.
Moreover she just had her very first opera “Skyggen (The Shadow)” in Copenhagen, Denmark on 16th and 17th November 2017 to celebrate the 150th anniversary for the diplomatic friendship between Japan and Denmark following with the official event of the Japanese Embassy in Denmark and the Danish Ministry of Culture. Also the opera was awarded by Danish Arts Foundation for The best 10 music publishing/releasing of this year.
She also participated in workshops and festivals in Japan and Europe e.g. with Eric Tanguy and Peter Ablinger. In addition to this, she has worked with a number of singer songwriters on arrangements, compositions and recordings and has performed alongside them at concerts, events and live performances. Furthermore she was selected for the Artist in Residency at the Visby International Centre for Composers in Gotland, Sweden (Staying and working in Visby for a week in September 2017.) and for the one organized by Austrian Federal Chancellery and Kultur Kontakt Austria (Staying and working in Vienna for three months in April to June 2018)/
She is often inspired by fashion when she composes her works and her works’ titles are often coming from fashion terms, for example, Polka dots, Tone on Tone Check, and Pointed toe.
She received the first prize of Zemlinsky 2019 Composition Competition and is writing another new orchestra + ballet piece for CCM Philharmonia Orchestra’s 2021-22 season.
Jennie Creer-King is an award-winning dancer, instructor, and choreographer. Among her awards include “Best School Award” by the Youth American Grand Prix, “Best of State” in Choreography and Youth Performing Group, and the Presidential Scholar’s Teacher Recognition Award.
Jennie’s initial training began at Classical Ballet Conservatory under Sandra Allen, Mary Ann Hatten, and Connie Burton. At age 13, she began training with Utah Regional Ballet under the artistic direction of Jacqueline P. College. During her years with Utah Regional Ballet, Jennie received scholarships from Joffrey Ballet School (New York), Pacific Northwest Ballet School (Washington), and the School of American Ballet (New York). She won Dance Magazine’s sponsored scholarship to Craft and Choreography in 1987.
As a high school senior, Jennie danced as a youth artist with Brigham Young University’s Theatre Ballet, touring the Midwest with the company before accepting a full-tuition scholarship to the University of Utah and selected as a company member of Utah Ballet under the direction of Conrad Ludlow. She danced with Utah Ballet for one semester before becoming an apprentice with Ballet West in 1990.
In 1991 Jennie was offered a corps de ballet contract with Ballet West under the direction of John Hart. From 1991-1994, she performed various roles in Nutcracker, Sleeping Beauty, Cinderella, Giselle, Billy the Kid, The Lady of the Camellias, Pulcinelle, and Vespri. She also participated in the Ballet West for Kids Program, building artistic awareness and expression in young people throughout Utah.
In 1994, she accepted a company position with Oregon Ballet Theatre under the artistic direction of James Canfield. She worked directly with James on several world premieres and with world-renowned choreographers including Paul Taylor, Donald Byrd, Bebe Miller, and Val Caniparoli. As well as the principal roles in Swan Lake, Giselle, Copellia, and The Nutcracker.
Jennie trained continuously, studying modern, flamenco, jazz, and hip-hop, as well as classical ballet. She was a principal guest artist in Scotland at the Edinburgh Festival as Dorothy in The Wizard of Oz; the Firebird with the Utah Symphony and Opera; and as the Sugar Plum Fairy with North Star Ballet, Colorado Dance Theatre, and Twin City Ballet.
Jennie received a Bachelor of Fine Arts in 1994 and a Master of Fine Arts in 1999 from the University of Utah. She accepted an Assistant Professor of Dance at Brigham Young University (1999-2004) directing BYU Theatre Ballet. Jennie developed a comprehensive syllabus for BYU Ballet Division, choreographed 11 new world premieres, and staged classical repertoire for the resident ballet company. As artistic director she implemented a strong touring schedule through out the Midwest with her storybook ballet, Goldilocks’ Adventure, which was documented by BYUTV and reached an international audience.
Jennie was assistant choreographer for the Paralympic Opening Ceremonies in 2004. In 2005 she was selected as Mrs. Utah United States and implemented a statewide outreach program with her storybook ballet, enchanting and inspiring the imagination of elementary age students throughout Utah.
In 2007, she traveled to Washington, DC to receive the Presidential Scholar’s Teacher Recognition Award from Presidential Scholar Garrett Smith and President George W. Bush. Her choreography has won “Best of State” in 2007 and 2008. She was invited to Chair the Provo Arts Council where her insight helped develop the Covey Center of Performing Arts programing. Jennie owned and operated Classical Ballet Academy from 2004-2014 and was the Artistic Director of Provo Civic Ballet, a non-profit youth company designed to train and inspire young artists as classical dancers. As the Artistic Director of Provo Civic Ballet she choreographed 3 full length ballets including “The Nutcracker,” “Hansel and Gretel,” “The Snow Maiden,” as well as re-staging “Giselle,” “La Bayadere,” “Swan Lake,” and “Paquita.” Classical Ballet Academy and Provo Civic Ballet won awards from Youth American Ballet Competition “Best School Award” and Utah’s “Best of State” in Choreography and Youth Performing Group. Her students have won national and international awards before the school closed in 2014.
In 2014, Jennie was hired as the Principal of the Barbara Barrington-Jones Ballet West Academy in Lehi, Utah. In collaboration with Adam Sklute, Artistic Director of Ballet West and Peter Merz, Director of Ballet West Academy, Jennie has grown the Academy from 47 students to over 500 students with the pre-professional and summer programs. She has taught every level from pre-ballet through advanced levels, developing a substantial and effective curriculum choreographing and directing performances and mentoring young dancers. She is also on staff at the University of Utah as an adjunct instructor in the College of Fine Arts instructing the freshman and sophomore ballet majors.
Special thanks to Rodney & Laurie Gasch, Amber Boyd, Will Brenner, Kyuran Ann Choe, Dr. Michael Donaworth, Rachel Gleason, Rose Smith, Heather Graden, Alan Husarchik, Dale Pickett and Diana Queen of Diana’s Dancewear. The Dance Department gratefully acknowledges the support of The Corbett Endowment at CCM.
Please remain seated while we reset the stage for the final pieces
Mark Gibson, music director
Xiao Geng, student conductor
Viola
We will continue to announce our 2021-22 schedule of public performances in two-month intervals — audiences will learn more about our programming for November and December events in October! Performance information and updates will be shared on the CCM website and in our Next OnStage e-newsletter.
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March 5, 2026
UC College-Conservatory of Music presents Dance Works, playing March 5-7 in Patricia Corbett Theater. Tickets are on sale through the CCM Box Office.
January 23, 2026
Experience world-class performances by the next generation of performing and media artists at the University of Cincinnati College-Conservatory of Music (CCM)! The college's spring 2026 schedule of major events is now available; tickets are on sale now through the CCM Box Office.
January 12, 2026
Show your school spirit this spring with official CCM apparel! New UC College-Conservatory of Music apparel is available for purchase online. CCM's Spring 2026 apparel can be ordered online now through Feb. 2, 2026. You can preview five wearable items below.
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CCM's faculty and staff and its state-of-the-art facilities make possible the professional training and exceptional education on which CCM believes the future of the arts relies. The school's roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. More than 150 internationally recognized faculty members work with students from around the world, specializing in eight areas of study.
Performance dates and repertoire are subject to change. View CCM's current calendar of events.
The purpose of these performances is educational, and they are part of a University of Cincinnati academic program.