CCM OPERA SERIES PRESENTS

FELLOW TRAVELERS

An Opera by Gregory Spears 
Libretto by Greg Pierce 
Based on the 2007 novel “Fellow Travelers” by Thomas Mallon

March 30-April 2, 2023, Patricia Corbett Theater

  • Conductor | William R. Langley 
  • Directors | Daria Zholnerova*, Greg Eldridge
  • Scenic Designer | Mark Halpin
  • Lighting Designer | Baron Leon *
  • Costume Designer | Brittannie McKenna Travis *
  • Sound Designer | Kaitlin Barnett *
  • Wig & Make-Up Designer | Tiara Jones *
  • Production Stage Manager | Quinn Morgan*
  • Musical Preparation | Marie-France Lefebvre, Lisa Hasson
  • Intimacy Director | Susan Moser  

*CCM Student

Fellow Travelers Act I will run approximately 55 minutes, followed by a 15-minute intermission. Act II will run approximately 55 minutes.

Cincinnati Opera and CCM foster the development of new operatic works in their joint program: Opera Fusion: New Works

Two new operas—Robeson by Scott Davenport Richards and David Cote and The Righteous by Gregory Spears and Tracy K. Smith—will receive workshops this spring, and the public is invited to attend a sneak peek! Learn more.

Directors' Note

By Greg Eldridge and Daria Zholnerova

Fellow Travelers has a special connection to Cincinnati and, indeed, to CCM. Many CCM students have been involved throughout the years in workshopping new productions through the Opera Fusion: New Works program and in partnership with Cincinnati Opera. Fellow Travelers is a clear example of the value of these workshops, and several cohorts of CCM singers have been involved at various stages of its development. Now regarded as a modern classic, a return to CCM of this beautiful music had been in the cards during the pandemic, and it is a huge thrill to welcome home this stunning opera in an entirely new production.  

Fellow Travelers is many things — a social critique, an alarming portrait of a world in which multiple bigotries influence all aspects of governance, a questioning of the compatibility between religion and lived experience, but it is, above all else, a love story. In a world in which relationships of all types are often reduced to mere physical expressions or a showcase of sexuality in place of intimacy, we have sought to explore with Timmy and Hawk what happens when two people in love can carve out their own bubble in space and time and be with each other — even if ‘only for an hour.'

Synopsis/Scene Breakdown

  • Scene 1 – A Park in Dupont Circle 
    Reporter Timothy Laughlin is newly-arrived in Washington D. C. as a correspondent for the Star newspaper. He meets State Department official Hawkins Fuller on a park bench, and the two exchange pleasantries.

  • Scene 2 – Office of Senator Charles E. Potter  
    Tim is summoned to a job interview for Senator Potter of Michigan, an interview secretly arranged for him by Hawk. He meets Tommy McIntyre, an off-the-books aide of Senator Potter, and is hired as one of Senator Potter’s speechwriters.
  • Scene 3 – Office of Hawkins Fuller 
    Tim visits Hawk’s office with a gift to thank Hawk for arranging the interview. Hawk is out, but Tim meets his secretaries — the kind Mary Johnson and the acerbic Ms. Lightfoot. He leaves the book and its inscription of thanks at Hawk’s office. 

  • Scene 4 – Timothy's Apartment
    Tim cooks himself a meagre dinner before being surprised by Hawk who has tracked him down to thank him for the book. Hawk offers to take Tim out to dinner, but Tim declines saying he has too much work to do. They spend the night together.  

  • Scene 5 – The Next Day 
    Tim thanks God for the gift of Hawk and their previous night together, but worries about how to reconcile this new feeling of being loved with the teachings of his church.

  • Scene 6 – The Hotel Washington 
    At a Christmas party for state officials, people share rumors about who might be fired next for being secret communists or homosexuals. Hawk flirts with Tim, leading Mary to warn him not to be too brazen. Hawk ignores her, and Ms. Lightfoot overhears them. 

  • Scene 7 – Interrogation Room M304
    Hawk is summoned for questioning after accusations of being a homosexual. He is repeatedly asked about his private life and denies any implications of homosexuality. 

  • Scene 8 – Timothy's Apartment  
    Tim tells Hawk of his burgeoning friendship with Mary, but a distracted Hawk reveals his suspicion that Ms. Lightfoot informed on him to the authorities. He offers Tim a belated Christmas present – cufflinks with Hawk’s initials on them. Tim is worried that people will find out about their relationship, but Hawk encourages Tim to embrace who is and seek out more sexual experiences.

INTERMISSION

  • Scene 9 – Office of Senator Joe McCarthy  
    Tim has finally made it to the inner sanctum of politics in Washington D.C., but it is not as wholesome as he had imagined. Tommy McIntyre encourages Tim to set aside his morals and ‘just play the game’, before hinting that he knows about Tim and Hawk. 

  • Scene 10 – Mary's Kitchen / Timothy’s Apartment  
    Mary has invited Tim to dinner to tell him that she has fallen pregnant after a fling and will be traveling interstate to have an abortion. She expresses her fear that Tim will get hurt if he gets too close to Hawk. Later, Hawk suggests a threesome to Tim and, with Mary’s warning ringing in his ears, Tim tells Hawk to leave. 

  • Scene 11 – The Roof of the Old Post Office 
    Tim meets Hawk in private and reveals that he has enlisted in the army and expects to be posted to Korea. Tim leaves and asks Hawk not to contact him again. 

  • Scene 12 – Office of Hawkins Fuller
    Hawk returns to his office and is met by Mary who hands in her letter of resignation. Hawk realizes that everyone is abandoning him and determines to make changes. 

  • Scene 13 – Tim in France / Hawk in Chevy Chase / Mary in New Orleans 

    Tim writes to Hawk and Mary after 2 years in France. Hawk is now married to a woman he met at the Christmas party, but confesses to Tim that he misses him and would like to see him when he returns to America.

  • Scene 14 – The Brick House 
    Tim reunites with Hawk in Washington D.C. and asks for help to get a job. Hawk asks if Tim is interested in also finding a wife as a cover for their relationship, but when Hawk talks about his honeymoon Tim gets upset and leaves. Hawk, left alone, regrets that love is not possible for them. 

  • Scene 15 – Mary’s Kitchen / The Brick House / Room M-304 
    Hawk confesses to Mary that, in order to force Tim to leave him and start a new life, he has reported Tim to the authorities as a possible homosexual. He asks Mary to tell Tim the news and to make sure that Tim hates him. 

  • Scene 16 – A Park in Dupont Circle 
    Following the death of Joe McCarthy, Hawk finds Tim on the bench where they first met. Tim is returning to New York, never to return to DC. Their time together has changed them both forever.

Acknowledgments

CCM wishes to thank composer Gregory Spears and librettist Greg Pierce for giving their time so generously to coach, consult and converse with our production. A grateful student body gives thanks.

With heartfelt thanks to the supporting staff, coaches, voice teachers, acting coaches and supervisors who have made this complex undertaking possible.

The Company

  • Timothy Laughlin | Henry Benson*# , Logan Wagner^+
  • Hawkins Fuller | Erik Nordstrom^+, Michael Pandolfo*#
  • Mary Johnson | Emily Garcia*+, Emma Marhefka^#
  • Senator Potter/General Airlie/Bartender | Joseph O’Shea
  • Estonian Frank/Interrogator/Senator McCarthy | John Potvin
  • Potter’s Assistant/ Bookseller/ Party Guest/ Technician/ French Priest | Sam Dhobhany
  • Tommy McIntyre | Ryan Henry
  • Miss Lightfoot | Erin Alcorn*+, Ashlyn Rock^#
  • Lucy | Maren Hrivnak*#, Candace WIlliams^+

* Performs Thursday  
^ Performs Friday
# Performs Saturday
+ Performs Sunday

 

Orchestra Roster

William R. Langley, guest conductor 
Hannah Schendel, assistant conductor (conductor on April 2)

Violin I

  • Alayne Wegner, concertmaster 
  • KayCee Galano, assistant concertmaster 
  • Amelia Korbitz 
  • Yasmine Bougacha

Violin 2

  • Emma Joyce, principal 
  • Kiran Rajamani, assistant 
  • Jiayi Sun 
  • Yinyun Sun

Viola

  • Nathaniel Sendi, principal 
  • Matthias Young, assistant 
  • Murphy Combs

Cello

  • Joe Kovac, principal
  • Anna Mackintosh, assistant

Bass

  • Hollie Greenwood 
  • Peter Kim

Flute

  • Maddie Choi

Oboe

  • Ashley Miley

Clarinet

  • Citlalmina Hernandez Toro

Trombones

  • Madison Smith
  • Donovan Klutho

Piano

  • Fang Goh

Alumni Guest Artist: William R. Langley (MM Orchestral Conducting, ’18)

A Headshot of William Langley

© Simon Pauly (Berlin)

Founding Music Director of the Memphis Repertory Orchestra, William R. Langley, began his career as an orchestral conductor at age 16. In 2009 he founded the Wolf River Chamber Orchestra and in 2011 the MRO. The MRO served as the Orchestra in Residence at the Buckman Performing Arts Center where he has given over 45 performances in the Memphis area. Langley also serves as conductor of the Blueshift Ensemble and frequent guest conductor with All of the Above Ensemble, contemporary ensembles dedicated to programming and promoting new and existing chamber works while incorporating multi-genre collaborations. 

An avid performer, the young Maestro has appeared as guest conductor with the Atlanta Symphony Orchestra, Cincinnati Symphony Orchestra, Memphis Symphony Orchestra, Starling Chamber Orchestra, Blueshift Ensemble, Concert:Nova, and All of the Above ensemble. In 2017 he made his opera debut with the CCM Opera Theatre where he conducted a performance of Leonard Bernstein’s Candide as a part of their "Bernstein at 100" centennial celebration and has since gone on to work with the opera companies of Cincinnati (as the John L. Magro Resident Conductor 2021-2022) workshopping, covering, and performing various operas since 2018 and in Naples (Florida) covering Ramon Tebar and making his debut (2022) in Tom Cipullo’s Glory Denied. Langley has recorded albums with the Memphis Repertory Orchestra (Dvorak + Tchaikovsky, “Voyagers : Scheherazade + Mitton”) and All of the Above Ensemble (Double Portrait), the latter of which led to his conducting debut at Carnegie Hall in the fall of 2018. Next season (2022-2023) will feature a return to Cincinnati Opera, his debuts with the Atlanta Symphony Orchestra and Atlanta Symphony Youth Orchestra, cover weeks with the ASO and Opera Naples, and a return to CCM to conduct their spring production of Fellow Travelers. 

In demand as a cover conductor, Langley has been a frequent cover with both the Atlanta and Cincinnati Symphony Orchestras covering such conductors as Sir Donald Runnicles, Louis Langrée, Carlos Kalmar, Juanjo Mena, Ramón Tebar, Peter Oundjian, Nathalie Stutzmann, Nicola Luisotti, Xian Zhang,  Miguel Harth-Bedoya, and Han-Na Chang, to name a few.

Langley holds a Master’s degree in Orchestral Conducting from the UC College-Conservatory of Music (CCM) in Cincinnati where he studied under the tutelage of Maestro Mark Gibson. He was selected by members of the Vienna Philharmonic Orchestra and the American Austrian Foundation to be awarded one of two esteemed Ansbacher Fellowships for Young Conductors with the opportunity to study in Austria at the 2019 Salzburger Festspiele.

Langley, who “conducts with considerable theatricality, elicited a dramatic performance from the orchestra.” (Jon Sparks/Commercial Appeal), was the subject of a featured article entitled “Young Conductor Realizing Dreams” in the Commercial Appeal as well as the Memphis Flyer’s cover story “20 < 30” as one of “20 young Memphians shaping the city’s future”. 

Production Staff

  • Technical Director | Janay Sukkarieh
  • Props Manager | Maddie Byrnes * 
  • Assistant Stage Managers | Morgan Piper*, Anika Shirvaikar*
  • Production Assistant | Jordan Shaw*
  • Assistant Production Managers | Katie Reus*, Emma King*
  • Assistant Scenic Designers | Sami Tamulonis*, Maddie Byrnes*
  • Assistant Costume Designer | Jayna Fry*
  • Assistant Lighting Designers | Bella Pfeiffer*, Eli Suarez*
  • Assistant Sound Designer | Michael Donahue*
  • Wardrobe Supervisor | Lauren Fitts*
  • Pattern Maker/Drapers | Amira Rowe*, Abby Powers*
  • Wardrobe Crew Head | Meredith Randall*
  • Wardrobe Crew | Sarah Patisaul*, Sage Shepard*, Bethany Untener*, Emma Shreve*, Nick Gundrum*
  • Production Electrician | Riley Rowan*
  • Assistant Production Electrician | Rachel Ledington*
  • Board Operator/ Programmer | Rachel Ledington*
  • Deck Electrician | Alex Hsiung*
  • Electrics Crew | CCM Lighting Design & Technology Students
  • Followspot Operators | Matti Andrews*, Charlie Raschke*
  • Assistant Technical Director | Hunter Lee*
  • Head Carpenter | Izzy Dillon*
  • Set Construction Crew | Matti Andrews, Jeffrey Bell, William Blank, Elora Bowers, Anna Camerer, Nick Feldmann, Raeya Garcia, Ella Gover, Laura Hanks, Willow Heichel, Corvo (Mary) Hopkins, Lily Landoch, Kaitlin Mier, Maddi Myer, Kait Naylor, Molly Powell, Charlie Raschke, Evan Reinhart, Paloma Robles, Kassidy Schley, Moira Seger, Jordan Shaw, Emma Shreve, Morgan Terry, Bethany Untener, Reagan Warvel
  • Props Construction Crew | Name Name 
  • Scenic Charge Artist | Sami Tamulonis*
  • Set/Props Running Crew | Rosie Burns Pavlik*, Reagan Warvel*, Raeya Garcia*, Morgan Terry*, Willow Heichel*, Evan Reinhart*
  • Production Sound Engineer | Brenden Friedel*
  • Sound Shop Graduate Assistants | Aaron Woodstein*, Patrick Keirnan*, Bryan Pivaral*, Kaitlin Barnett*
  • Wig and Make-Up Running Crew | Hannah Ervin*, Annika Jonker*, Peyton Kern*
  • Stage Management Office Assistant | Jie Min*
  • Rehearsal Pianists | Jie Fang Goh, Brian McCann

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The competitive scholarships CCMpower provides help attract and retain the best and brightest students, nurture professional development opportunities and – in turn – continue CCM’s tradition of excellence for the next generation of student-artists. Join or renew your CCMpower membership today to help provide critical scholarship funds.

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Sponsors

Louise Dieterle Nippert Trust 
Scholarship and Resident Artist Sponsor

The Andrew W. Mellon Foundation 
CSO/CCM Diversity Fellowship Sponsor

The Corbett Endowment at CCM 
Dance Department Sponsor 
All-Steinway School Sponsor

Louise H. & David S. Ingalls Foundation, Inc. 
Community Partners

The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel 
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ArtsWave: Funding Arts, Fueling Community 
CCMpower: Friends and Alumni Fueling the Future of the Arts 
The Strader Fund at the Greater Cincinnati Foundation
CCMONSTAGE ONLINE Broadcast Sponsors

Dr. & Mrs. Carl G. Fischer 
Musical Theatre Department Sponsor

Genevieve Smith 
Opera Production Sponsor

Rafael and Kimberly de Acha 
Opera D’Arte Sponsor

An Anonymous Donor 
Estate of Mr. William A. Friedlander 
Mrs. William A. Friedlander 
Dr. Randolph L. Wadsworth 
Judith Schonbach Landgren and Peter Landgren  
Mr. & Mrs. Harry H. Santen 
Elizabeth C.B. & Paul G. Sittenfeld+ 
Mr. & Mrs. Thomas E. Stegman 
Dr. & Mrs. Theodore W. Striker+
Mrs. Harry M. Hoffheimer 
Ariel Quartet Sponsors

Jan Rogers 
Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation 
Choral Studies Sponsors

Mr. & Mrs. Joseph W. Hirschhorn 
Orchestral Sponsor

Dorothy Richard Starling Foundation 
Starling Pre-Collegiate Sponsor 
Starling Strings Sponsor

Dr. Timothy E. and Janet L. Johnson 
Thom Miles and Roberta Gary 
Organ Department Sponsors

Louis and Susan Meisel 
Piano Department Sponsor

Richard E. Thornburgh 
Edward Donovan and Cheryl Carter 
Jeff Thomas Catering 
The Castleberry Family 
KMK Law 
Sandra & Stephen Joffe 
Paula Boggs Muething & Brian Muething 
Patti Myers & Alan Flaherty
Trish & Rick Bryan 
Prestige AV & Creative Services 
Graeter’s Ice Cream 
Rhinegeist Brewery
CCMpower 
The CCM Harmony Fund: Challenging Hate & Prejudice through the Performing Arts 
Event Sponsors

Buddy Rogers Music 
LINKS Sponsor

Sponsors listed as of August 30, 2021

General Information


Land Acknowledgment

The Cincinnati area and the land that the University of Cincinnati has been built on is the native homeland of the Indigenous Algonquian speaking tribes, including the Delaware, Miami, and Shawnee tribes.


Box Office

Located in the CCM Atrium, the Box Office is open Monday through Friday, 1-5 p.m.; and one hour prior to curtain for all ticketed performances. MasterCard, Visa and Discover cards are accepted.

  • Location: CCM Atrium Lobby next to Corbett Auditorium
  • Telephone: 513-556-4183
  • Email: boxoff@uc.edu
  • Mail: CCM Box Office, P.O. Box 210003, Cincinnati, OH 45221-0003

Parking

Convenient parking is available in the CCM Garage at the base of Corry Boulevard off of Jefferson Avenue. Additional parking is available in garages throughout the UC campus. Any questions concerning on-campus parking should be directed to UC Parking Services at 513-556-2283.


Tax Credit

If you find that you cannot attend your performance, your tickets may be donated for tax credit as a charitable contribution. Simply notify the Box Office prior to the performance to release your seats, and give your name and address. A tax donation receipt will be mailed to you.


Lost and Found

If you have lost an item, contact lost and found at 513-556-9413.


House Policies

The House Manager has been instructed to minimize the disturbance to patrons already seated when accommodating latecomers. The director and producer of each production select times that are least likely to interrupt the performance, and latecomers will be seated only during these times. Latecomers who miss these opportunities will not be admitted until intermission. Children under the age of 6 will not be admitted.


Cameras, Phones and Recording Devices

The video or audio recording of performances is prohibited.

The use of cameras, with or without flashes, recording devices, cellular phones and other electronic devices inside the theater is prohibited. Please leave them with the House Manager.


Smoking and Refreshments

Smoking and refreshments are not permitted in the theater. Effective May 1, 2017, smoking and tobacco use (including chewing tobacco and electronic cigarettes) shall be prohibited by students, staff, faculty, visitors, vendors and contractors at all times in or on University of Cincinnati properties, including events on university property during non-school hours. This includes all shelters, indoor and outdoor theaters and athletic facilities, bridges, walkways, sidewalks, residence halls, parking lots, and street parking and garages owned by the university.


Hearing Enhancement

Telex listening devices are available for checkout during performances in both Patricia Corbett Theater and Corbett Auditorium. Please inquire at the Box Office.


Wheelchair Seating

Wheelchair seating is available in both Corbett Auditorium and Patricia Corbett Theater. Seating is limited, so reservations should be made with the Box Office when ordering tickets. These seats are subject to availability.


Group Sales

The Box Office can accommodate groups for major productions and concerts. Preview and benefit performances are also available for some productions. For more information, call the CCM Box Office at 513-556-4183.


CCM Faculty and Staff

CCM's faculty and staff and its state-of-the-art facilities make possible the professional training and exceptional education on which CCM believes the future of the arts relies. The school's roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. More than 150 internationally recognized faculty members work with students from around the world, specializing in eight areas of study.


Know Your Exit

Map depicting exits from Patricia Corbett Theatre

Performance dates and repertoire are subject to change. View CCM's current calendar of events.

The purpose of these performances is educational, and they are part of a University of Cincinnati academic program.