CCM OPERA Series Presents
Opera in three acts
Composed by Leoš Janácek
Revised version by Jiri Zahrádka
Feb. 29-March 2, 2024, Corbett Auditorium
*CCM Student
^Performs Thursday and Saturday
+ Performs Wednesday and Friday
Gabrielle Turgeon
Second-year Vocal Performance student from Sault Ste. Marie, Ontario, Canada
At CCM: Vixen in The Cunning Little Vixen, 1st Tendril/Ensemble in Lincoln in the Bardo (Opera Fusion: New Works), Blanche de la Force in Dialogues des Carmélites. Elsewhere: Sister Sophia in The Sound of Music and Chorus in Falstaff with Aspen Music Festival (Aspen, Colorado), Iris in Semele with Toronto Lyric Opera Centre (Toronto, Canada).
Emma Marhefka
First-year Artist Diploma student from Allentown, Pennsylvania
At CCM: Mary Johnson in Fellow Travelers, Chorus in Dialogues of the Carmelites, Susanna in Le nozze di Figaro. Elsewhere: Frasquita in Carmen with Des Moines Metro Opera (Indianola, Iowa), Younger Alyce in Glory Denied with Knoxville Opera (Knoxville, Tennessee) and Opera Roanoke (Roanoke, Virginia).
Clara Reeves
First-year Master’s Vocal Performance student from Greenville, North Carolina
At CCM: Winnie in Two Corners (Opera Fusion: New Works), Pamina in Die Zauberflöte (Opera d'arte), Speranza in L'Orfeo (Opera d'arte), Chorus in Le nozze di Figaro. Elsewhere: Mimì (cover) in La bohème with Wolf Trap Opera (Fairfax County, Virginia), Morgana in Alcina with Chicago Summer Opera.
Malone Blaich
First-year Artist Diploma in Opera student from Kansas City, Missouri
At CCM: Blanche de la Force in Dialogues des Carmélites, Chorus/Jenny/Reporter 1/Woman 1 in The Righteous (Opera Fusion: New Works). Elsewhere: Chorus in Lucia di Lammermoor and Madama Butterfly with Cincinnati Opera; Tatyana in Eugene Onegin (partial), Norma in Norma (partial), Donna Elvira in Don Giovanni (partial) with Heidelberg Summer Opera (Heidelberg, Germany); Cendrillon in Cendrillon and Lauretta in Gianni Schicchi with Pepperdine University (Malibu, California).
Erik Nordstrom
Second-year Artist Diploma student in Opera from Saint Paul, Minnesota
At CCM: Revírník in The Cunning Little Vixen, Tarquinius in The Rape of Lucretia, Hawkins Fuller in Fellow Travelers, Marquis de la Force in Dialogues des Carmélites, Younger Galileo in Galileo Galilei, Ophémon in L’Amant Anonyme, Antonio in Le Nozze di Figaro. Elsewhere: El Dancaïro in Carmen with Virginia Opera (Norfolk, Virginia), Samuel in Pirates of Penzance with Kentucky Opera (Louisville, Kentucky), Marullo in Rigoletto with Central City Opera (Central City, Colorado).
Andrew Hallam
First-year Master’s Vocal Performance student from Detroit, Michigan
At CCM: Forester in The Cunning Little Vixen, Mr. Baron in Lincoln in the Bardo (Opera Fusion: New Works). Elsewhere: Dr. Dulcamara in L’elisir d’amore and Grandpa Moss in The Tender Land with Opera in the Ozarks (Eureka Springs, Arkansas), Leporello in Don Giovanni with Vienna Summer Music Festival (Vienna, Austria), Papageno in Die Zauberflöte with University of Michigan Opera Theatre (Ann Arbor, Michigan).
John Mburu
First-year Artist Diploma student in Opera from Warwick, Virginia
At CCM: Parson in The Cunning Little Vixen, Collatinus in The Rape of Lucretia, Pallante in Agrippina, Paul Jr. in Robeson (Opera Fusion: New Works), Pope Urban VIII in Galileo Galilei, Logger in Bulrusher (Opera Fusion), Bartolo in Le Nozze di Figaro. Elsewhere: Duke of Verona in Roméo et Juliette at the Glimmerglass Festival (Cooperstown, New York) , Chorus in Aida with Cincinnati Opera, Prisoner 1 in Fidelio with Queen City Opera (Cincinnati), Bob The Old Maid and the Thief with the Lee University Opera Theatre (Cleveland, Tennessee).
Logan Wagner
Second-year Master’s student from Villa Hills, Kentucky
At CCM: Timothy Laughlin in Fellow Travelers, L'Aumonier in Les Dialogues Des Carmelites, Don Basilio/Don Curzio in Le Nozze di Figaro, Colin in L'Amant Anonyme, Orfeo in L’Orfeo with Opera d’Arte. Elsewhere: Jumper (Cover) in The Falling and the Rising at Des Moines Metro Opera (Indianola, Iowa), Padre in The Man of La Mancha and Monostatos in The Magic Flute at Utah Festival Opera (Logan, Utah).
William Tanski
First-year Master’s Vocal Performance student from Grantham, New Hampshire
At CCM: Schoolmaster in The Cunning Little Vixen, The Doodling Pennsylvanian in Lincoln in the Bardo (Opera Fusion: New Works). Elsewhere: Monostatos in Die Zauberflöte with Northwestern University Opera (Evanston, Illinois).
Will Ryan
Second-year Vocal Performance student from Nashville, Tennessee
At CCM: Officer in Dialogues des Carmélites. Elsewhere: Sarastro in Die Zauberflöte at the University of Tennessee (Knoxville, Tennessee), Chorus in Mefistofele with Knoxville Opera. 2024 Metropolitan Opera Tennessee District Winner and Southeast Region Encouragement Winner.
Ahhyun Baek
First-year Master’s Vocal Performance student from South Korea
Elsewhere: Ida in Die Fledermaus, chorus in Le Nozze di Figaro at the Korea National University of Arts (Seoul, South Korea), chorus in Cavalleria Rusticana and Pagliacci with Korea Arts Group, chorus in L’Elisir d’Amore with Seocho Cultural Foundation (Seoul, South Korea).
Rachael Bell
Second-year Master’s Vocal Performance student from Encinitas, California
At CCM: Lapák (Dog), Mrs. Páskova, and Songbird in The Cunning Little Vixen, Sœur Mathilde in Dialogues des Carmélites. Elsewhere: Dorabella in Così fan tutte, Fanny Price in Mansfield Park, Florence Pike in Albert Herring and Maman/L’Ecureuil in L’Enfant et les Sortileges with Vanderbilt Opera Theatre (Nashville, Tennessee), Piacere [cover] in Il trionfo del Tempo with Opera NEO (San Diego, California), Ottavia in L’incoronazione di Poppea with Trentino Music Festival (Trentino, Italy), Cherubino in Le nozze di Figaro with Utah Valley Opera Festival (Provo, Utah).
Madison Finke
First-year Master’s Vocal Performance student from Norfolk, Virginia
At CCM: Forester's wife in The Cunning Little Vixen. Elsewhere: L'enfant in L’enfant et les Sortileges and Prince Orlovsky in Die Fledermaus with Hartt Opera (Hartford, Connecticut), Mrs. Pinkerton in Madama Butterfly with Connecticut Lyric Opera (Hartford, Connecticut), Chorus in Le nozze di Figaro with Virginia Opera (Norfolk, Virginia).
Reed Gnepper
First-year Master’s Vocal Performance student from Toledo, Ohio
At CCM: Pásek/Komár in The Cunning Little Vixen. Elsewhere: L'amante in Amelia al ballo and Puck in A Midsummer Night's Dream at The Juilliard School. Archibald Craven in The Secret Garden at The Chautauqua Institute (Chautauqua, New York). Choruses for Lucia di Lammermoor and Il barbiere di Siviglia with Cincinnati Opera.
Grace Graham
Second-year Master’s Vocal Performance student from Des Moines, Iowa
At CCM: Chocholka in The Cunning Little Vixen, Soeur Alice in Dialogues des Carmélites. Elsewhere: Countess in The Marriage of Figaro (concert) and Despina in Così fan tutte with Drake University Opera Theatre (Des Moines, Iowa).
Salleigh Harvey
Second-year Master’s in Vocal Performance student from Fountain Inn, South Carolina
At CCM: Ensemble in The Highlands (Opera Fusion: New Works), Cricket/Owl in The Cunning Little Vixen, Lucretia in The Rape of Lucretia, Ottone in Agrippina, Madame de Croissy in Dialogues des Carmélites.
Elsewhere: Ensemble in Liverpool Oratorio with Cincinnati Opera, Old Baroness (cover) in Vanessa with Spoleto Festival USA (Charleston, South Carolina), Commendatore in Don Giovanni and Baker’s Wife in Into the Woods with Furman Lyric Theatre (Greenville, South Carolina).
Maren Hrivnak
Second-year Master’s Vocal Performance student from Madison, Mississippi
At CCM: Pepik and Young Vixen in The Cunning Little Vixen, Lucy in Fellow Travelers, Sister Felicity in Les Dialogues des Carmélites, Soloist in Bach's St. Matthew Passion, Soloist in Haydn's Missa brevis in F Major. Elsewhere: Juno in The Fairy Queen with Baroque Opera Workshop at Queens College (Queens, New York), Madame Herz in Der Schauspieldirektor and Chorus in Noye’s Fludde with St. Olaf College Lyric Theater (Northfield, Minnesota), Stacey in The Bachelor with IES Milan Opera Theater (Milan, Italy), Chorus in Carmen and L’elisir d’amore with Opera Mississippi (Jackson, Mississippi).
Lily Scalisi
First-year Vocal Performance student from Alexandria, Louisiana
At CCM: Datel (Woodpecker) and Heuschreck (Grasshopper) in The Cunning Little Vixen. Elsewhere: La Zia Principessa in Puccini's Suor Angelica at Opera Seme (Arezzo, Italy), Suor Zelatrice in Suor Angelica, Dorabella (cover) in Mozart's Così fan tutte, Second Witch in Dido and Aeneas and Nireno in Giulio Cesare at Louisiana State University (Baton Rouge, Lousiana).
Morgan Small
First-year Master’s Vocal Performance student from Highland Park, Illinois
At CCM: Rooster/Jay in The Cunning Little Vixen. Elsewhere: Papagena in Die Zauberflöte, Cunegonde in Candide, Eurydice in Orpheus in the Underworld, The Dew Fairy in Hansel and Gretel, Milk Maid/Ensemble in La bohème with Northwestern University Opera Theatre (Evanston, Illinois), Oberto in Alcina with Saluzzo Opera Academy (Saluzzo, Italy).
Cole Stephenson
Second-year MM Voice student from Des Moines, Iowa
At CCM: Collatinus in The Rape of Lucretia, Badger in The Cunning Little Vixen. Elsewhere: Il Commendatore in Don Giovanni at Savannah Voice Festival (Savannah, Georgia), Carl Olsen in Street Scene at Iowa State University (Ames, Iowa)
Reed Carter
Logan Leister
Yu-Chuen Huang
Sean Reynolds
Bruce Deal
EJ Busby
Marine Eckert
Internationally recognised for his energetic presence, imaginative programming, and compelling musicianship, Vinay Parameswaran is one of the most exciting young conductors on the podium today.
Highlights of his 22-23 season included his debuts with the Houston and Charlotte Symphonies, return appearances with the Nashville Symphony and Rochester Philharmonic orchestras, and education and family concerts with the Chicago Symphony and New Jersey Symphony. In the 2021/22 season, Parameswaran concluded five seasons with the Cleveland Orchestra, where he was initially Assistant and then Associate Conductor.
During his three seasons as Associate Conductor of the Nashville Symphony, Parameswaran led over 150 performances, which included his subscription debut with the Orchestra in 2016/17. Other highlights have included debuts with the Pittsburgh Symphony, Detroit Symphony, National Symphony, North Carolina Symphony, and Milwaukee Symphony orchestras.
Equally at home in both symphonic and operatic repertoire, Parameswaran has led performances of Mozart’s The Magic Flute and Donizetti’s The Elixir of Love with Curtis Opera Theater. In Cleveland, he has assisted Franz Welser-Möst on productions of Verdi’s Otello, Janáček’s The Cunning Little Vixen, Wagner’s Tristan und Isolde and Strauss’ Ariadne auf Naxos.
A native of the San Francisco Bay Area, Parameswaran graduated with honours from Brown University where he began his conducting studies with Paul Phillips. He continued his studies at the Curtis Institute of Music, where he was the Albert M. Greenfield Fellow, later a Conducting Fellow at the Tanglewood Music Center, and a recipient of a Career Assistance Award by the Solti Foundation U.S. in May 2021.
We update our biographies regularly and ask that they are not altered without permission. For updated versions, please e-mail jmg@jamesbrownmanagement.com
Stephen Fillare
Second-year Doctoral Orchestral Conducting student from Orlando, Florida
At CCM: Assistant Conductor for The Cunning Little Vixen. Elsewhere: Assistant Conductor for Le nozze di Figaro with Berlin Opera Academy (Berlin, Germany), Assistant Conductor for La bohème with International Summer Opera Festival of Morelia (Morelia, Mexico), Guest Conductor for the 2024 Nassau Music Educator Association’s Division 5 String Orchestra and 2023 Orange County Public Schools Honors High School Orchestra.
Jessica Ann Drayton
Master’s Lighting Design student from Powder Springs, Georgia
At CCM: Cinderella, The 25th Annual Putnam County Spelling Bee, Dialogue of the Carmelites. Elsewhere: As you Like it and Trouble in Mind with Cincinnati Shakespeare Company, Jersey Boys with Arts Center of Coastal Carolina (Hilton Head Island, South Carolina), Secret Garden with TheaterLab Dayton (Dayton, Ohio), Ariodante with Curtis Institute of Music (Philadelphia, Pennsylvania), Sleepy Hollow with Dayton Ballet (Dayton, Ohio), Young Frankenstein with Circle Theater (Fort Worth, TX), Into the Breeches with Stagewest Theatre (Forth Worth, TX), Pleasure Trials with Amphibian Stage (Fort Worth, TX), Fierce! with Cincinnati Opera (Cincinnati, Ohio), and Eugene Onegin with Dallas Symphony Orchestra (Dallas, Texas).
Bryan Pivaral
Second-year Master’s Sound Design and Technology student from Miami, Florida
At CCM: Sound Designer for Everybody and 2023 Dance Showcase, A2 for She Loves Me. Elsewhere: A1 and PSE for LDI 2023 via Double Trouble Entertainment (Las Vegas, Nevada), Assistant Sound Designer for Laughs in Spanish (Milwaukee, Wisconsin), A1 for 2023 Utah Festival Opera and Musical Theatre (Logan, Utah), Sound Designer for Daughter and When 5 Years Pass at California Institute of the Arts (Santa Clarita, California). Sound Designer for Pipeline, Italian Futurist Project, Red Velvet and Children's Hour at Florida International University (Miami, Florida).
Deborah Heyl
Second-year Master’s in Stage Management student from Pittsburgh, Pennsylvania
At CCM: Assistant Stage Manager for Agrippina, Fall Dance 2022, 30 Years of Stephen. Elsewhere: Stage Manager for She Loves Me at South Park Theatre (South Park, Pennsylvania), Production Stage Manager for The White Rose at Prime Stage Theatre (Pittsburgh, Pennsylvania).
Kait Naylor
Sophomore Stage Management student from Loveland, Ohio
At CCM: Frankenstein.
Raeya Garcia
Sophomore Stage Management student from Austin, Texas
At CCM: Assistant Stage Manager for Duke Ellington's Jazz Nutcracker, Production Assistant for Agrippina and A Dream Play, Crew for Something Rotten and Fellow Travelers. Elsewhere: Assistant Stage Manager for Million Dollar Quartet and Baskerville: A Sherlock Holmes Mystery at Totem Pole Playhouse (Fayetteville, Pennsylvania), Assistant Stage Manager for Matilda the Musical with Lees-McRae Summer Theatre (Banner Elk, North Carolina).
Finley Shields
First-year Masters Stage Management student from Mission Viejo, California
Elsewhere: Stage Manager for Into the Woods and The Threepenny Opera at University of the Pacific (Stockton, California).
Sage Shepard
Senior Stage Management student from Cornwall Bridge, Connecticut
At CCM: Production Stage Manager for Clue, Fairies, Swans and Still Waters and The Wild Party. Assistant Stage Manager for Sweet Charity, Cincinnati Dionysia, Sunday in the Park with George, and Le Nozze de Figaro. Production Assistant for Ariadne Auf Naxos. Elsewhere: Assistant Stage Manager for ALICE (in wonderland) at Cincinnati Ballet (Cincinnati, Ohio), Stage Management Intern for Chicago, Camelot and Mary Poppins at The Muny (St. Louis, Missouri).
Katie Reus
Senior Stage Management student from St. Louis, Missouri
At CCM: Production Stage Manager for A Dream Play, Assistant Stage Manager for Giselle, Blue Stockings, Dance Works (Fall 2021), Student Choreographer's Showcase 2021, Production Assistant for From Broadway with Love.
Annalee Crosser
Junior Stage Management student from Edmond, Oklahoma
At CCM: PSM for The Rape of Lucretia, ASM for Something Rotten and Frankenstein, PA for Le Nozze di Figaro and L'Amant Anonyme. Elsewhere: SM Intern for The Knock at Cincinnati Opera, ASM for The Bridges of Madison County at Shenandoah Summer Music Theatre (Winchester, Virginia).
Jayna Fry
Second-year Master’s Costume Design student from Spruce Grove, Alberta, Canada
At CCM: Assistant Costume Designer for Fellow Travelers. Elsewhere: Costume Shop Floor Manager at Glimmerglass Festival (Cooperstown, New York), Resident Assistant Costume Designer and Costume Designer for Camp Rock jr. and Annie jr. at Hale Center Theater (Orem, Utah).
Bella Pfeiffer
Senior Lighting Design student from Cincinnati, Ohio
At CCM: Laser Designer for The Hughes Project, Lighting Designer for Dido and Aeneas + Gianni Schicchi, Assistant Lighting Designer for Fellow Travelers, A Dream Play, and Sunday in the Park with George. Elsewhere: Associate Lighting and Laser Designer at Image Engineering (Baltimore, Maryland).
Laura Hanks
Sophomore Lighting Design student from Columbus, Ohio
At CCM: Follow Spot Operator for She Loves Me, Light Board Operator for Cinderella. Elsewhere: Deck Electrician for Illinois and Follow Spot Operator for Henri VIII at Bard SummerScape (Annandale-on-Hudson, New York).
Moira Seger (she/they)
Sophomore Stage Design, Props and Scenic Art student from Cincinnati, Ohio
At CCM: Scenic Charge for Everybody, Assistant Scenic Designer for The Rape of Lucretia, Props Manager for The Cunning Little Vixen. Elsewhere: Props Artisan for Camelot, H.M.S. Pinafore, and Orpheus in the Underworld with The Ohio Light Opera (Wooster, Ohio).
Peggie Dona
Sophomore Costume Design and Technology student from Toledo, Ohio
At CCM: Set/Props Running Crew for Our Town, Costume Running Crew and Set construction Crew for Xanadu.
Carter Minor
Freshman Musical Theatre student from New Albany, Ohio
At CCM: Swing in The 25th Annual Putnam County Spelling Bee. Elsewhere: TJ in Sister Act, Urchin (Ronette) in Little Shop of Horrors, Otto/Moritz Understudy in Spring Awakening and Jack in Into the Woods with Short North Stage (Columbus, Ohio), Grover in Percy Jackson the Lightening Thief with Sticking Place Productions (Columbus, Ohio).
Nate Miller
Sophomore Lighting Design and Technology student from Cincinnati, Ohio
Elsewhere: Lighting Tech with I.A.T.S.E. Local 5 at the Cincinnati Opera.
Will Everson
Freshman Lighting Design and Technology student from St. Louis, Missouri
At CCM: Media Technician in Sweet Charity, Scenic crew in Let the Right One In. Elsewhere: Electrician at Opera Theater of St. Louis (St. Louis Missouri), Lighting Designer of The Adams Family with Spotlight Productions (St. Louis, Missouri).
Riley Rowan
Junior Lighting Design and Technology student from Virginia Beach, Virginia
At CCM: Programmer for 30 Years of Stephen: The Music of Stephen Flaherty, and Our Town, Production Electrician for Sunday in the Park with George, Asst. Production Electrician for Dance Works, Programmer for Little Shop of Horrors.
Miya Chambers
Sophomore Lighting Design student from Alpharetta, Georgia
At CCM: Light Board Operator for The Rape of Lucretia.
Corvo Hopkins
Sophomore Technical Production student from Littleton, Colorado
At CCM: Scenic Run Crew for Something Rotten!, Frankenstein, and Cinderella. Elsewhere: Scenic Designer and Technical Director for Bye Bye Birdie and Lion King Kids, Assistant Technical Director for Legally Blond and Rent, Scenic Designer, Technical Director, and Projections Designer for Frozen Kids, and Props Master for Annie at Performing Arts Academy (Highlands Ranch, Colorado), Technical Director for The Shadow Box at Wheatridge Theater Company (Wheatridge, Colorado).
Paloma Robles
Sophomore Technical Production student from Franklin, North Carolina
At CCM: Fly Operator for Something Rotten, Automation Operator for Agrippina, Scenic Crew for Cinderella. Elsewhere: Scenic Carpenter at Glimmerglass Festival (Cooperstown, New York).
Lucia Thill
Junior Sound Design and Technology student from Minneapolis, Minnesota
At CCM: Production Sound Engineer for Everybody, Our Town. Elsewhere: Wizard of Oz at Southwest Community Education (Minneapolis, Minnesota).
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April 26, 2024
UC's College-Conservatory of Music is proud to present alumni and distinguished service awards to outstanding members of our community at the end of each academic year. The 2024 awards are presented to four accomplished alumni and one dedicated patron in a private virtual event on April 23.
April 22, 2024
The University of Cincinnati College-Conservatory of Music is thrilled to congratulate alums Titilayo Ayangade (BM Cello, ’14) and Jaime Sharp (MM Voice, ’22) on their recent wins of two MPower Artist Grants from the Sphinx Organization. Available only to alumni of the Sphinx Organization, these competitive grants are intended to “empower artists’ careers.”
April 4, 2024
The University of Cincinnati College-Conservatory of Music's Opera Series transforms the stage into a treacherously alluring garden in a masterful production of Rappaccini’s Daughter (La hija de Rappaccini) on April 4-6, 2024, in CCM’s Cohen Family Studio Theater. Get your tickets now through the CCM Box Office!
CCMpower is a volunteer group of fans, advocates and alumni dedicated to empowering students and fueling the future of the arts through scholarship opportunities and more.
The competitive scholarships CCMpower provides help attract and retain the best and brightest students, nurture professional development opportunities and – in turn – continue CCM’s tradition of excellence for the next generation of student-artists. Join or renew your CCMpower membership today to help provide critical scholarship funds.
Join or renew your CCMpower member today to help provide critical scholarship funds. Visit foundation.uc.edu/ccmpower to learn more.
The Cincinnati area and the land that the University of Cincinnati has been built on is the native homeland of the Indigenous Algonquian speaking tribes, including the Delaware, Miami, and Shawnee tribes.
Located in the CCM Atrium, the Box Office is open Tuesday through Friday, 1-5 p.m.; and one hour prior to curtain for all ticketed performances. MasterCard, Visa and Discover cards are accepted.
Convenient parking is available in the CCM Garage at the base of Corry Boulevard off of Jefferson Avenue. Additional parking is available in garages throughout the UC campus. Any questions concerning on-campus parking should be directed to UC Parking Services at 513-556-2283.
If you find that you cannot attend your performance, your tickets may be donated for tax credit as a charitable contribution. Simply notify the Box Office prior to the performance to release your seats, and give your name and address. A tax donation receipt will be mailed to you.
If you have lost an item, contact lost and found at 513-556-9413.
The House Manager has been instructed to minimize the disturbance to patrons already seated when accommodating latecomers. The director and producer of each production select times that are least likely to interrupt the performance, and latecomers will be seated only during these times. Latecomers who miss these opportunities will not be admitted until intermission. Children under the age of 6 will not be admitted.
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The use of cameras, with or without flashes, recording devices, cellular phones and other electronic devices inside the theater is prohibited. Please leave them with the House Manager.
Smoking and refreshments are not permitted in the theater. Effective May 1, 2017, smoking and tobacco use (including chewing tobacco and electronic cigarettes) shall be prohibited by students, staff, faculty, visitors, vendors and contractors at all times in or on University of Cincinnati properties, including events on university property during non-school hours. This includes all shelters, indoor and outdoor theaters and athletic facilities, bridges, walkways, sidewalks, residence halls, parking lots, and street parking and garages owned by the university.
Telex listening devices are available for checkout during performances in both Patricia Corbett Theater and Corbett Auditorium. Please inquire at the Box Office.
Wheelchair seating is available in both Corbett Auditorium and Patricia Corbett Theater. Seating is limited, so reservations should be made with the Box Office when ordering tickets. These seats are subject to availability.
The Box Office can accommodate groups for major productions and concerts. Preview and benefit performances are also available for some productions. For more information, call the CCM Box Office at 513-556-4183.
CCM's faculty and staff and its state-of-the-art facilities make possible the professional training and exceptional education on which CCM believes the future of the arts relies. The school's roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. More than 150 internationally recognized faculty members work with students from around the world, specializing in eight areas of study.
Performance dates and repertoire are subject to change. View CCM's current calendar of events.
The purpose of these performances is educational, and they are part of a University of Cincinnati academic program.
