CCM PLAY SERIES PRESENTS

THE WINTER'S TALE

By William Shakespeare

Oct. 3-5, 2024, Patricia Corbett Theater

  • Director | Susan Felder
  • Assistant Director | Palini Sunkara *
  • Choreographer | Susan Moser
  • Scenic Designer  | Regan Densmore *
  • Lighting Designer  | Jules Cabrera *
  • Costume Designer  |  Cassidy Kempthorne *
  • Sound Designer  | Matt Tibbs
  • Wig & Make-Up Designer | Claire Bonnette *
  • Production Stage Manager  | Sophia Gamble *
  • Props Manager  | Hattie Fann *
  • Fight/Intimacy Director  | Susan Moser

*CCM Student

Director’s Note

By Susan Felder, CCM Associate Professor of Acting and Movement

A tale. I approached this play as a modern day fairytale, brimming with mystery, danger, magic and, finally, redemption. It is perhaps Shakespeare’s most unique structure — the first act leans into tragedy, the second, all-out comedy.

We see the pitfalls of absolute power, when one man’s fears can turn tyrannous. The rules and thinking in the first act of this play are very black and white. Authority has little censure and misinformation and judgement rule. We have set it in a Victorian age of structure and order. As we fast forward to the second act in time and space, 16 years, there is more room for fun in 1910. We see the next generation reject harsh rulings and make their own way. Redemption is possible. 

There are several supernatural elements in this play which add to the fabric of magic and wonder: the oracle of Apollo (straight out a Greek tragedy); the swift justice brought when man rejects his gods; the presence of nature — how it punishes, how it heals. The most famous of Shakespeare’s stage direction, “Exit pursued by a bear” is both terrifying and comical. It comes at the end of the first act as a Greek deus ex machina of justice. The ending of the second act, brings as unbelievable an event. But for it to work, Paulina tells the King as well as the audience: “It is required you do awake your faith.” 

I am drawn again and again to the themes of The Winter’s Tale. So, on the heels of cancel culture, we offer a play about forgiveness and judgement. Who gets forgiven and who is unforgiveable? And in the case of those who fall hard, who do harm, is there hope for new life and redemption?

The Company

  • Leontes | Brandon Cook
  • Polixenes | Evan Kupersmith
  • Hermione | Jordyn Hill
  • Paulina | Cassandra Reeves
  • Camillo | Gavin Elbert
  • Mamillius | Dinithi Fernando
  • Emelia / Dancer | Gabi Adams
  • Autolycus | Bryce Nevison
  • Perdita | Kenny Rayborn
  • Florizel | Gavin Duffy
  • Lady/Mopsa | Sophie Stockton
  • 2nd Lady/Dorcus | Alaya Rhett
  • Archidamus | Mallory Bolser
  • Shepherd | Dash Green
  • Lord Rogero / Dancer | Victor Brame
  • Antigonus / Dancer | Patrick Comunale
  • Clown | Adrian Graff
  • Jailer / Officer / Dancer | Sam Hopper
  • Cleomenes/Dancer | Kathuure Miriti
  • Dion/Dancer | Katie Reeser
  • Puppeteers | Kathuure Miriti/ Dinithi Fernando
  • Understudies | Lauren Grammer, Sam Hopper, Dash Green (Officer), Bryce Nevison (Leontes)

Production Staff

  • Technical Director | Troy Brizius, CCM Staff Technical Director
  • Assistant Stage Managers | Katie Mogren, Finley Shields
  • Production Assistant | Andrew Hille
  • Assistant Scenic Designer | EJ Goodman
  • Assistant Costume Designer | Julia Schillaci
  • Assistant Wig & Make-up Designers | M O’Donnel, Emily Kemmerer
  • Assistant Lighting Designer | Kassidy Schley
  • Associate Sound Designer | Nick Feldmann
  • Production Sound Engineer | Brady Smith
  • A1 | Ben Stacy
  • Wardrobe Supervisor | Peggie Dona
  • Wardrobe Crew Head | Lexi Revis
  • Costume Running Crew | Maximus Carter, Nate Keller, Ava Morsch, Trace Henderson
  • Production Electrician | Nate Miller
  • Assistant Production Electrician | Miya Chambers
  • Programmer | Hayden Valkema
  • Deck Electrician | Lia Lubinsky
  • Deck Electrcian 2 | Sarah Anderson
  • Scenic Charge Artist | Jessica Secrest, CCM Staff Scenic Artist
  • Set/Props Running Crew | Lucy Dunn, Isaac Ludlam, Hadley Klusman, Maeve Gillespie, Sydnee Metzinger, Jahmiya Quarles
  • Sound Load in/Out | Kait Naylor
  • Wig and Make-Up Running Crew | Gabriella Cortes, Carmella Somich, Josie Heys, Dylann Williams-Sanford

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Attend a concert or show at CCM: Fall schedule of major events...

August 19, 2025

Experience world-class performances by the next generation of performing and media artists at the University of Cincinnati College-Conservatory of Music (CCM)! The college’s fall 2025 schedule of major events is now available; tickets are on sale now through the CCM Box Office.

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CCMpower is a volunteer group of fans, advocates and alumni dedicated to empowering students and fueling the future of the arts through scholarship opportunities and more.

The competitive scholarships CCMpower provides help attract and retain the best and brightest students, nurture professional development opportunities and – in turn – continue CCM’s tradition of excellence for the next generation of student-artists. Join or renew your CCMpower membership today to help provide critical scholarship funds.

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J. Brett Offenberger, MD and Mr. Douglas E. Duckett
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General Information


Land Acknowledgment

The Cincinnati area and the land that the University of Cincinnati has been built on is the native homeland of the Indigenous Algonquian speaking tribes, including the Delaware, Miami, and Shawnee tribes.


Box Office

Located in the CCM Atrium, the Box Office is open Tuesday through Friday, 1-5 p.m.; and one hour prior to curtain for all ticketed performances. MasterCard, Visa and Discover cards are accepted.

  • Location: CCM Atrium Lobby next to Corbett Auditorium
  • Telephone: 513-556-4183
  • Email: boxoff@uc.edu
  • Mail: CCM Box Office, P.O. Box 210003, Cincinnati, OH 45221-0003

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Convenient parking is available in the CCM Garage at the base of Corry Boulevard off of Jefferson Avenue. Additional parking is available in garages throughout the UC campus. Any questions concerning on-campus parking should be directed to UC Parking Services at 513-556-2283.


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If you find that you cannot attend your performance, your tickets may be donated for tax credit as a charitable contribution. Simply notify the Box Office prior to the performance to release your seats, and give your name and address. A tax donation receipt will be mailed to you.


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The House Manager has been instructed to minimize the disturbance to patrons already seated when accommodating latecomers. The director and producer of each production select times that are least likely to interrupt the performance, and latecomers will be seated only during these times. Latecomers who miss these opportunities will not be admitted until intermission. Children under the age of 6 will not be admitted.


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The use of cameras, with or without flashes, recording devices, cellular phones and other electronic devices inside the theater is prohibited. Please leave them with the House Manager.


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Smoking and refreshments are not permitted in the theater. Effective May 1, 2017, smoking and tobacco use (including chewing tobacco and electronic cigarettes) shall be prohibited by students, staff, faculty, visitors, vendors and contractors at all times in or on University of Cincinnati properties, including events on university property during non-school hours. This includes all shelters, indoor and outdoor theaters and athletic facilities, bridges, walkways, sidewalks, residence halls, parking lots, and street parking and garages owned by the university.


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Map depicting exits from Patricia Corbett Theatre

Performance dates and repertoire are subject to change. View CCM's current calendar of events.

The purpose of these performances is educational, and they are part of a University of Cincinnati academic program.