Composition

Composition faculty member reviews a piece of sheet music with a student while sitting at a piano

CCM's composition programs provide students with a knowledge of music both past and present. In addition, students study the various analytical and compositional procedures of music.

CCM's composition programs serve as a resource for all music students, and especially composition majors, enriching the already active musical atmosphere of the college.

Courses cover introductory electronic music, techniques, advanced computer and electroacoustic music composition, music programming, timbre studies, multimedia composition and improvisation.

The CCM Center for Computer Music contains several classroom studios and smaller rooms, working environments for composition, research and performance. The facilities contain 8-channel, 5.1 and stereo audio systems.

Headshot of Michael D. Fiday

Michael D. Fiday

Professor of Composition

513-556-9499

Headshot of Ellen R. Harrison

Ellen R. Harrison

Adjunct Associate Professor of Composition; CCM Prep Master Teacher, Theory and Composition

513-556-2595

Headshot of Mara M. Helmuth

Mara M. Helmuth

Professor of Composition

513-556-0807

Headshot of Douglas Knehans

Douglas Knehans

Norman Dinerstein Professor of Composition Scholar

513-556-9401

Headshot of Miguel A. Roig-Francoli

Miguel A. Roig-Francoli

Distinguished Teaching Professor of Music Theory and Composition

513-556-1821

CCM's admissions process begins on August 1 (undergraduate) and September 1 (graduate) for entrance in the following year's fall semester. All application materials must be submitted on or before December 1 to be considered for specific scholarship awards. Visit the CCM Admissions website for additional application instructions.

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 1 in order to be considered for admissions and invited for an audition.

Pre-screening Requirements

  • Portfolio of three original works:
    • Undergraduate applicants: a recording of at least one of the submitted works (live recordings are preferred where possible)
    • Graduate applicants: recordings of at least two of the submitted works (live recordings are preferred where possible)
    • All applicants: documentation of the submitted works should include scores (in the case of works with instruments or voice) or alternate format (in the case of purely electronic music)
  • All applicants should submit a list of works composed

Interview

More information about interviews coming soon.


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