Double Bass

CCM Philharmonia students perform double bass on the Corbett Auditorium stage

The study of double bass at CCM is strongly performance based. The cornerstone of all degree programs is private lessons with faculty, who serve as mentors for students and direct their individual musical, performing and teaching growth. 

The curriculum emphasizes the development of the well-rounded, holistic musician by providing a solid background in music history and theory as well as areas specific to each musical medium. Undergraduate students enjoy a close collaboration with the University of Cincinnati through a general education core that supplements their education with academic course work while graduate students specialize more precisely in their chosen field.

Headshot of Rachel  L. Calin

Rachel L. Calin

Associate Professor of Double Bass

513-556-1118

Headshot of Owen C. Lee

Owen C. Lee

Adjunct Associate Professor of Double Bass

513-556-3442

CCM's admissions process begins on August 1 (undergraduate) and September 1 (graduate) for entrance in the following year's fall semester. All application materials must be submitted on or before December 1 to be considered for specific scholarship awards. Visit the CCM Admissions website for additional application instructions.

Pre-screening and Audition Requirements

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 1 in order to be considered for admissions and invited for an audition.

Pre-screening Requirements

  • Two contrasting works from the standard solo repertoire. Where appropriately substantial, two contrasting movements from two different works are also acceptable. Works MUST contrast in era, style, and/or tempo. Works may be, but are not limited to: concertos, sonatas, suites, unaccompanied works, variations showpieces, etc. 
  • Two standard orchestral excerpts of your choice preferably composed by, but not limited to: Beethoven, Brahms, Mahler, Mozart or Strauss 

Audition

Audition Requirements

  • Two contrasting works from the standard solo repertoire. Where appropriately substantial, two contrasting movements from two different works are also acceptable. Works MUST contrast in era, style, and/or tempo. Works may be, but are not limited to: concertos, sonatas, suites, unaccompanied works, variations showpieces, etc. 
  • Three standard orchestral excerpts of your choice preferably composed by, but not limited to: Beethoven, Brahms, Mahler, Mozart or Strauss

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 1 in order to be considered for admissions and invited for an audition.

Pre-screening Requirements

  • One movement from the J. S. Bach Solo Violoncello Suites 
  • First movement of a concerto of your choice, with cadenzas where appropriate. Concerto may be composed by, but not limited to Bottesini, Dittersdorf, Koussevitzsky or Vanhal. 
  • Three contrasting standard orchestral excerpts. Excerpts must contrast in era, style and tempo 

Audition

Audition Requirements

  • Two contrasting movements from the J. S. Bach Solo Violoncello Suites 
  • First movement of a concerto of your choice, with cadenzas where appropriate. Concerto may be composed by, but not limited to Bottesini, Dittersdorf, Koussevitzsky or Vanhal. 
  • One additional work or movement that best represents your playing 
  • Three contrasting standard orchestral excerpts. Excerpts must contrast in era, style and tempo

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 1 in order to be considered for admissions and invited for an audition.

Pre-screening Requirements

  • Two contrasting movements from the J. S. Bach Solo Violoncello Suites 
  • First movement of a concerto of your choice, with cadenzas where appropriate. Concerto may be composed by, but not limited to Bottesini, Dittersdorf, Koussevitzsky or Vanhal. 
  • One additional work or movement that best represents your playing 
  • Three contrasting standard orchestral excerpts. Excerpts must contrast in era, style and tempo.

Audition

Audition Requirements

  • Two contrasting movements from the J. S. Bach Solo Violoncello Suites 
  • First movement of a concerto of your choice, with cadenzas where appropriate. Concerto may be composed by, but not limited to Bottesini, Dittersdorf, Koussevitzsky or Vanhal. 
  • One additional work or movement that best represents your playing 
  • Three contrasting standard orchestral excerpts. Excerpts must contrast in era, style and tempo. 

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