Double Bass

CCM Philharmonia students perform double bass on the Corbett Auditorium stage

The study of double bass at CCM is strongly performance based. The cornerstone of all degree programs is private lessons with faculty, who serve as mentors for students and direct their individual musical, performing and teaching growth. 

The curriculum emphasizes the development of the well-rounded, holistic musician by providing a solid background in music history and theory as well as areas specific to each musical medium. Undergraduate students enjoy a close collaboration with the University of Cincinnati through a general education core that supplements their education with academic course work while graduate students specialize more precisely in their chosen field.

Double Bass Faculty

Headshot of Rachel  Calin

Rachel Calin

Chair of Strings Department; Professor of Double Bass

513-556-1118

Headshot of Owen Lee

Owen Lee

Adjunct Associate Professor of Double Bass

513-556-3442


Strings Department Chair

Headshot of Rachel  Calin

Rachel Calin

Chair of Strings Department; Professor of Double Bass

513-556-1118

Performance Studies Division Head and Staff

Headshot of Daniel Weeks

Daniel Weeks

Interim Division Head of Performance Studies; Professor of Voice

513-556-6830

Headshot of Sarah Minneman

Sarah Minneman

Chamber Music Coordinator

Headshot of Claudia C. Penn

Claudia C. Penn

Executive Staff Assistant

513-556-3442

CCM's admissions process begins on August 1 (undergraduate) and September 1 (graduate) for entrance in the following year's fall semester. All application materials must be submitted on or before December 1 to be considered for specific scholarship awards. Visit the CCM Admissions website for additional application instructions.

Double Bass - BM

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 3 in order to be considered for admissions and invited for an audition.

Pre-screening Requirements
  • Two contrasting works from the standard solo repertoire. Where appropriately substantial, two contrasting movements from two different works are also acceptable. Works MUST contrast in era, style, and/or tempo. Works may be, but are not limited to: concertos, sonatas, suites, unaccompanied works, variations showpieces, etc.
  • Two standard orchestral excerpts of your choice

Audition

Audition Requirements
  • Two contrasting works from the standard solo repertoire. Where appropriately substantial, two contrasting movements from two different works are also acceptable. Works MUST contrast in era, style, and/or tempo. Works may be, but are not limited to: concertos, sonatas, suites, unaccompanied works, variations showpieces, etc.
  • Three standard orchestral excerpts of your choice

Double Bass - MM

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 3 in order to be considered for admissions and invited for an audition.

Pre-screening Requirements
  • One movement from the J. S. Bach Solo Violoncello Suites 
  • First movement of a concerto of your choice, with cadenzas where appropriate. Concerto may be composed by, but not limited to Bottesini, Dittersdorf, Koussevitzsky or Vanhal. 
  • Three contrasting standard orchestral excerpts. Excerpts must contrast in era, style and tempo

Audition

Audition Requirements
  • One movement from the J. S. Bach Solo Violoncello Suites.
  • First movement of a concerto of your choice, with cadenzas where appropriate.
  • One additional work or movement that best represents your playing.
  • Three contrasting standard orchestral excerpts. Excerpts must contrast in era, style, and tempo.

Double Bass - DMA, AD

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 3 in order to be considered for admissions and invited for an audition.

Pre-screening Requirements
  • Two contrasting movements from the J. S. Bach Solo Violoncello Suites.
  • First movement of a concerto of your choice, with cadenzas where appropriate.
  • One additional work or movement that best represents your playing.
  • Three contrasting standard orchestral excerpts. Excerpts must contrast in era, style, and tempo.

Audition

Audition Requirements
  • Two contrasting movements from the J. S. Bach Solo Violoncello Suites.
  • First movement of a concerto of your choice, with cadenzas where appropriate.
  • One additional work or movement that best represents your playing.
  • Three contrasting standard orchestral excerpts. Excerpts must contrast in era, style, and tempo.

News and Events

1

Get to know CCM’s newest faculty/staff members and unit heads

November 1, 2024

UC’s College-Conservatory of Music will welcome a variety of new faculty and staff members to its roster of distinguished performing and media arts experts, researchers and educators this fall. In addition, the college is also welcoming several current faculty members into new leadership roles this year.

2

Now streaming: CCM’s season-opening performance of Mahler’s...

October 16, 2024

The UC College-Conservatory of Music opened its 2024-25 concert series in epic fashion on Saturday, Sept. 21, with a sold out performance of Gustav Mahler’s colossal Symphony No. 2, “Resurrection," in Corbett Auditorium. The entire performance is now available for on-demand streaming below, including opening remarks by new CCM Dean Pete Jutras. This performance of Mahler's Resurrection Symphony features the combined forces of the CCM Philharmonia student orchestra, CCM Chamber Choir, CCM Chorale and UC Choruses, along with alumni guest artists Amanda Woodbury (soprano) and Kayleigh Decker (mezzo-soprano). CCM faculty member Mark Gibson conducts.

3

CCM Philharmonia, choirs and alumni guest artists in concert on...

Event: September 21, 2024 7:30 PM

UC College-Conservatory of Music's Philharmonia and combined choirs unite with alumni guest artists Amanda Woodbury and Kayleigh Decker to perform an epic season-opening concert at 7:30 p.m. on Saturday, Sept. 21. Presented in CCM's Corbett Auditorium, tickets for the concert are on sale now through the Box Office.

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