Dance

Ballerina leaps in a ballroom full of elaborately dressed spectators in a production of Swan Lake

CCM Dance puts an emphasis on ballet and contemporary styles, making it perfect for dancers seeking top-level training and rigorous artistic, academic, and studio curriculum.

The Dance Department at CCM is a professionally oriented dance experience offering a Bachelor of Fine Arts (BFA) degree in Ballet. Through an intensive academic and studio curriculum, dancers will receive advanced training while cultivating their artistry and inspiring creativity. Students will graduate with a thorough knowledge of the dance world and how to function within it. With the BFA, most students choose to perform or teach in professional dance companies and dance education organizations.

Online applications are due December 1 for fall admission in the BFA program.


Why CCM?

  • Highly recognized faculty, guest choreographers and artists-in-residence.
  • In depth somatic and wellness studies (Alexander Technique, Pilates, Yoga).
  • Onsite physical therapists and athletic trainers.
  • Three large dance studios with an observation booth and dressing rooms.
  • Gain the opportunity to dance, audition, and collaborate with professional companies, all while earning your BFA.

The CCM Dance Department is comprised of distinguished, dynamic faculty members, state of the art facilities, performance opportunities, and a plethora of new and challenging experiences for our students. Faculty includes Shauna Steele (Department Chair), Deirdre Carberry, and Hee Ra Yoo, along with many dedicated adjunct faculty members, guest artists, company directors, and professionals from the dance field that are committed to nurturing highly technical, passionate, and artistic dancers.


Ballerinas perform on the Corbett Auditorium stage in a production of Giselle

Performance Opportunities

CCM Dance students have numerous opportunities to perform throughout the year in full-length ballets, one-act ballets or in new works by faculty, students and guest artists. 

CCM's production season is integrated with our curriculum, so all students have the opportunity to perform regularly.

Ticketed Performances

Visit our CCMONSTAGE e-box office for more information on the ticketed performances that CCM Dance will present this year.

Professional Performance Opportunities

Qualified students may have the opportunity to perform with professional regional dance companies including Cincinnati Ballet, Dayton Ballet, Louisville Ballet and BalletMet while enrolled in CCM's BFA program.

Faculty

Headshot of John T. Bell

John T. Bell

Adjunct Instructor of Ballet, CCM Prep Ballet Instructor

513-871-6246

Headshot of Deirdre Carberry

Deirdre Carberry

Associate Professor of Dance

Headshot of Brian Cashwell

Brian Cashwell

Adjunct Instructor of Dance and Jazz; Dance Accompanist

Headshot of Isabele Melo Elefson

Isabele Melo Elefson

Adjunct Instructor of Dance, CCM Prep Ballet Instructor

Headshot of Jonnie Lynn L. Jacobs-Percer

Jonnie Lynn L. Jacobs-Percer

Adjunct Instructor of Ballet, CCM Prep Ballet Director

513-475-2590

Headshot of Julius Jenkins

Julius Jenkins

Adjunct Instructor of Dance and General Studies

Headshot of Gema Diaz Lommer

Gema Diaz Lommer

Adjunct Instructor of Dance

513-556-2700

Headshot of Ihaiah Miller

Ihaiah Miller

Adjunct Instructor of General Studies

513-556-2700

Headshot of Scarlett Rustemeyer

Scarlett Rustemeyer

Adjunct Instructor of Dance

Headshot of Rowan Salem

Rowan Salem

Adjunct Instructor of Dance

Headshot of Shauna L. Steele

Shauna L. Steele

Chair and Associate Professor of Dance

Headshot of Tricia Ann Sundbeck

Tricia Ann Sundbeck

CCM Prep Performing Arts Specialist; CCM Prep Ballet Director; Adjunct Professor of Dance

513-518-5810

Headshot of Hee Ra Yoo

Hee Ra Yoo

Assistant Professor of Dance


Dance Department Chair

Headshot of Shauna L. Steele

Shauna L. Steele

Chair and Associate Professor of Dance

Theatre Arts, Production and Arts Administration Division Head and Staff

Headshot of Rebecca Bromels

Rebecca Bromels

Division Head of Theatre Arts, Production and Arts Administration (TAPAA); Chair and Associate Professor of Arts Administration

513-556-5803

Headshot of Jen Lampson

Jen Lampson

TAPAA Production Manager

Headshot of Deborah Neiheisel-DeZarn

Deborah Neiheisel-DeZarn

TAPAA Program Manager

513-556-5803

Headshot of Angelika Bonyhati-Kovacs

Angelika Bonyhati-Kovacs

Accompanist

513-556-2700

Headshot of Brian Cashwell

Brian Cashwell

Adjunct Instructor of Dance and Jazz; Dance Accompanist

Headshot of Matthew McAllister

Matthew McAllister

Accompanist

513-556-6638

CCM's undergraduate admissions process begins on August 1 for entrance in the following year's fall semester. All application materials must be submitted on or before December 1 to be considered for specific scholarship awards. Visit the CCM Admissions website for additional application instructions.

Ballet - BFA

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 3 in order to be considered for admissions and invited for an audition.

Pre-screening Requirements
  • A full-length photo. Female Identifying: en pointe, black leotard, pink or skin-tone tights – first position arabesque. Male Identifying: White fitted dance shirt/tank with footed black men's tights – attitude derriere en relevé. Non-Binary Identifying: Unitard or attire and footwear listed above for which you want to be primarily but not solely considered for roles.
  • Video #1 should include:
    •  Clearly state your name, which classical variation, act and ballet, and the studio/academy/training program currently attending.
    • Why do you need to dance
    • Some of your long and/or short-term goals you feel can only be accomplished at UC/CCM.
    • ‘Wildcard’ A bit of information unique to you, dance related or not, that you feel comfortable sharing.
    • A solo variation from the standard, classical repertoire. Variations may be performed in practice clothes or costume either in the studio or on stage. Performance videos are acceptable but should clearly show the applicant only and be a clear, moderately close video. The video should not be at a distance, fuzzy, or grainy.
      • Female Identifying: En pointe,
      • Male Identifying: Attire listed above with either black or white ballet slippers.
      • Non-Binary Identifying: Submit a classical variation that best suits your current career goals. Gender-based variation choice(s) does not adversely affect admission consideration.
  • Video #2 should include:
    • At barre your camera should be placed so that the evaluator has a clear side view of you and frames at medium distance while still keeping full body in frame at all times.
    • Dancers (male, female, non-binary) wanting to be evaluated for pointe roles must wear pointe shoes for center work. It is strongly encouraged for barre work.
    • Perform one side of each exercise at the barre. Keep the exercises and combinations short with clear execution and artistry.
    • Ballet Technique
      • At Barre:
        • Short plié w/tondu and degage
        • Short développé w/fondu 
        • Petit battement
        • Grand battement
      • At Center:
        • Adagio (female identifying in pointe shoes)
        • Petite Allegro (female identifying in pointe shoes)
      • A waltz/turning combination that demonstrates en dehors and en de dedans from fourth position
        • Female identifying students, fouetté turns. Male identifying students, please show a final combination that demonstrates at minimum, double tour en l’air, and entre chat six.
    • Contemporary/Modern Technique
      • Submit 1 modern/contemporary class technique exercise
        • No longer than 32 counts (4 sets of 8)
        • Do once on both sides
        • Combination should contain: contraction & release, Spiral to the ground/recover to standing, turn(s) traveling or stationary
      • Submit 1 modern/contemporary solo
        • 45 seconds to 1 minute that highlights the dancer's technique and artistry
        • No gymnastics, or drops to the ground
  • Optional ‘Wildcard’ video submission. Short demonstration of any unique or additional skills related to dance or performance. This is not required. It will NOT harm your pre-screen if you do not submit a wildcard video submission.

Audition

Audition Requirements
  • All dancers wear convertible tights or be prepared to change attire.
  • Female Identifying: Black or solid colored leotard, pink/skin tone convertible tights worn under the leotard and over the feet. Pink/skin tone ballet slippers. A short thigh-length wrap or pull-on skirt may be worn if desired. *May change into black leggings and add fitted solid colored t-shirt or fitted tank for modern/contemporary section if desired.
  • Non-Binary Identifying: Black or solid colored unitard. Pink/skin tone, black or white, ballet slippers. *May change into black leggings with a leotard or fitted solid colored t-shirt or fitted tank for modern/contemporary section if desired. Preference is a capri or ankle length unitard.
  • Male Identifying: Men's black convertible tights with dance belt, White or Black fitted dance t-shirt, Black, white, or skin tone ballet slippers. *May change into black leggings, fitted solid colored t-shirt or fitted tank for modern/contemporary section if desired.
Audition Preparation

The audition will consist of a traditional classical ballet barre and center followed by several combinations of pointe work (for women only). Dancers will then take the modern dance component, which consists of two-three movement sequences demonstrating the ability to perform floor work and various rhythmic and spatially-oriented structures.

Each applicant must submit a video/DVD of himself or herself performing a solo variation from the standard classical repertoire to CCM's Get Acceptd website. The applicants must also upload a photo with the applicant dressed in regular classroom attire posed in Arabesque en'lair (women on pointe). The video should include a short introduction of the dancer stating his or her name, name of the variation and name of the studio where the dancer trains. Only the introduction and selected variation should be on the video/DVD.

An audition by DVD should be no more than 10 minutes and should reflect the dancer's strengths. Applicants should show an example of their typical level of training including: exercises at the barre, center work, jumps, and point work (women, all center work en pointe). The DVD must reflect the dancer's current training, made within three months of the application submission. This should also be submitted to CCM's Get Acceptd website.

The student must include: pliés, tendues, dégagés (from fifth position, both straight and with pliè) ronde de jambe, a terre and en l’air, passé developpe en croix, frappes, grand battements and balances on one leg. The exercises can be short, but with enough repetition that the dancer can be seen clearly.

Please show all ballet combinations on one side only. Center work to include: adage, pirouettes en dehors and en dedans, petit allegro and grand allegro. Women finish with fouettes and men finish with turns in à la second. A classical variation (on pointe for women) one to two minutes in length.

Variations may be performed in practice clothes or costume either in the studio or on stage. Performance tapes are acceptable but should show only the applying dancer.

Female dancers should bring ballet slippers, pointe shoes and have footed tights that can be rolled up to ankle or calf-length for the modern component of the audition. Traditional attire (black leotard and pink tights) is recommended.

Male dancers should bring socks and ballet slippers as well as tights that can be rolled up to accommodate the modern dance component of the audition. Traditional attire (black tights and white T-shirt) is also recommended.

Off-site audition formats may vary slightly. Applicants must submit a full length photo with the applicant dressed in regular ballet classroom attire, posed in arabesque enl'air (women en pointe).

There are two ways to receive scholarship aid to study in CCM Dance at the University of Cincinnati. The first is through an academic scholarship called the Cincinnatus Scholarship. For details, please visit the Cincinnatus Scholarship Program website to learn more.

Every applicant is automatically considered for the CCM Talent Scholarship, which is awarded based on the audition and interview. No further applications or actions by applicants are required, other than applying and auditioning, to be considered for our modest talent scholarships.


News and Events

3

WATCH: Mini documentary takes viewers behind the scenes of ballet production at CCM

August 26, 2025

In this new short film created by CCM Recording Productions, viewers can experience an insiders look at the April 2025 production of the whimsical ballet Coppélia. Follow along with CCM students Celeste Lau (BFA Ballet, ’25) and Regina Murphy (BFA Ballet, ’25), who play both Swanhilda and Coppélia, switching roles on different nights of the production.

7

Inside CCM’s XR Studio: where Media Production students experience the future of virtual production

July 28, 2025

Enjoy an inside look at the Virtual Production Studio class offered in CCM's new Extended Reality (XR) Studio. The Media Production Division class is taught by instructor and CCM alumnus Joseph Maiocco (BFA Media Production, '06). CCM's XR Studio is a performing and media arts lab space that allows physical performance to take place in an immersive virtual environment via its 16x10 foot LED wall and a positional camera tracking system that works with 3D creation tools like Unreal Engine to render the digital scenery in real time.

8

CCM welcomes new dance faculty member Hee Ra Yoo

July 22, 2025

UC College-Conservatory of Music Dean Pete Jutras has announced the appointment of Hee Ra Yoo as CCM's new Assistant Professor of Dance. Her faculty appointment officially begins on Aug. 15, 2025. An international dance teacher and choreographer, Yoo founded the New York contemporary dance company “Yoo and Dancers.”

9

Sarah Jessica Parker calls hometown Cincinnati a 'very impressive, exciting city'

July 1, 2025

Sarah Jessaic Parker recently gave Cincinnati a shoutout during an interview on the "Call Her Daddy" podcast. She talked about theaters she enjoyed visiting — like Cincinnati Playhouse in the Park, where her father worked as a stage manager, and the University of Cincinnati College-Conservatory of Music. SJP attended the School for Creative and Performing Arts during her elementary school years, and also took classes at CCM Prep.