Piano

Piano student performs on Steinway piano with her reflection on the lid

Piano study at CCM emphasizes the development of pianistic, musical, performing and teaching skills.

All degree programs are designed to integrate the great traditions of the past with the development of skills necessary for the demands of the music profession in the 21st century. The various degree programs are rigorous in their challenges, while retaining flexibility in order to address each student's relative strengths and weaknesses on an individual basis. Piano students at CCM can avail themselves of the enormous variety of programs offered by the college and the university to supplement the core music curriculum.

The philosophy of the CCM Piano Department is one of strong reliance on the mentoring process, by which the students' private teachers guide them both pianistically and musically, and advise them in all aspects of their overall education and development. Our goal is to prepare our students to excel in the demands of college life as well as to prepare them for the rigors of today's professional world.

Degree Programs

A Bachelor of Music (BM) is available in piano, as well as in organ and harpsichord. There is also a degree in Music Education with concentration in these instruments. The Music Education program can be completed in conjunction with major study, constituting a double major which is normally a five year program.

CCM also offers a Bachelor of Arts degree, with concentration in piano. This degree offers a greater emphasis on non-music academics, and is designed for students who do not seek either a performing or a music education degree.

A Master of Music (MM) degree is offered in both piano and collaborative piano. Doctor of Musical Arts (DMA) and Artist Diploma (AD) degrees are also offered in piano.

Headshot of Polina Bespalko

Polina Bespalko

Adjunct Instructor of Piano

513-556-4041

Headshot of Dror Biran

Dror Biran

Professor of Piano

513-556-2061

Headshot of Michael S. Chertock

Michael S. Chertock

Chair of Piano Department; Professor of Piano

513-556-9531

Headshot of Ran Dank

Ran Dank

Associate Professor of Piano

513-556-4041

Headshot of Soyeon Kate Lee

Soyeon Kate Lee

Associate Professor of Music in Piano

513-556-4041

Headshot of Awadagin K.A. Pratt

Awadagin K.A. Pratt

Professor of Piano and Artist-in-Residence

513-556-2063

Headshot of Jane Michelle Conda

Jane Michelle Conda

Division Head of Keyboard Studies; Coordinator of Secondary Piano and Piano Pedagogy; Professor of Piano; CCM Prep Master Teacher, Piano

513-556-9525

Headshot of Andrew C Villemez

Andrew C Villemez

Assistant Professor-Educator

Headshot of Kenneth R. Griffiths

Kenneth R. Griffiths

Director of Collaborative Piano Activities; Professor of Collaborative Piano

513-556-9514

Headshot of Donna H. Loewy

Donna H. Loewy

Field Service Professor of Collaborative Piano; Accompanist-in-Residence

513-556-9532

Headshot of Sandra M. Rivers

Sandra M. Rivers

Professor of Collaborative Piano

513-556-9552

Headshot of Jane Michelle Conda

Jane Michelle Conda

Division Head of Keyboard Studies; Coordinator of Secondary Piano and Piano Pedagogy; Professor of Piano; CCM Prep Master Teacher, Piano

513-556-9525

Headshot of Suzanne M Wright

Suzanne M Wright

Executive Staff Assistant for Music Education and Keyboard Studies

513-556-6017

CCM's admissions process begins on August 1 (undergraduate) and September 1 (graduate) for entrance in the following year's fall semester. All application materials must be submitted on or before December 1 to be considered for specific scholarship awards. Visit the CCM Admissions website for additional application instructions.

Piano - BM

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 3 in order to be considered for admissions.

Pre-screening Requirements
  • At least three solo pieces from contrasting style periods and must include a complete sonata of Haydn, Mozart, Beethoven (excluding Opus 49) or Schubert
  • All Sonatas, Variations, Suites, and other individual works written with multiple movements must be prepared in their entirety. Sets of pieces that are intended to be performed together must be prepared in their entirety (For example: Schumann Carnaval, Davidsbündlertanze, or Kreisleriana; Mussorgsky Pictures at an Exhibition; Franck Prelude, Chorale and Fugue)
  • Compositions should be performed by memory with the exception of extraordinarily prohibitive 20th and 21st century compositions
  • Etudes encouraged

Audition

Audition Requirements
BM Piano Performance and Double Majors

The repertoire requirements are the same as the pre-screening requirements.

BM Music Education (Piano Concentration)
  • At least three solo pieces from contrasting style periods and must include an allegro movement from a sonata of Haydn, Mozart, Beethoven or Schubert
  • Compositions should be performed by memory with the exception of extraordinarily prohibitive 20th and 21st century compositions

Piano - MM, DMA

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 3 in order to be considered for admissions.

Pre-screening Requirements
  • At least three solo pieces from contrasting style periods and must include a complete sonata of Haydn, Mozart, Beethoven (excluding Opus 49) or Schubert
  • All Sonatas, Variations, Suites and other individual works written with multiple movements must be prepared in their entirety
  • Sets of pieces that are intended to be performed together must be prepared in their entirety (For example: Schumann Carnaval, Davidsbündlertanze, or Kreisleriana; Mussorgsky Pictures at an Exhibition; Franck Prelude, Chorale and Fugue).
  • Etudes are encouraged
  • Compositions should be performed by memory with the exception of extraordinarily prohibitive 20th and 21st century compositions.
  • The choice of repertoire should be indicative of the capacity to thrive artistically in graduate level piano study.

Audition

Audition Requirements
  • Repertoire is the same as the pre-screening requirements
  • For DMA Applicants: Approx. 500 words on the following subject:
    • Please describe what you feel is the most challenging piece of piano repertoire you have studied in the past four years, your process in learning the piece and how this experience has contributed to your development as an artist.

Piano - AD

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 3 in order to be considered for admissions.

Pre-screening Requirements
  • At least 60 minutes of solo repertoire, preferably from diverse style periods, giving ample evidence of the capacity to perform, record and compete at an international level.
  •  Etude encouraged for all degree programs
  • All Sonatas, Variations, Suites, and other individual works written with multiple movements must be prepared in their entirety
  • Sets of pieces that are intended to be performed together must be prepared in their entirety (For example: Schumann Carnaval, Davidsbündlertanze, or Kreisleriana; Mussorgsky Pictures at an Exhibition; Franck Prelude, Chorale and Fugue)

Audition

Audition Requirements
  • Same requirements as prescreening.

Secondary Piano Graduate Assistantship Application Requirements

Upload the following three-page PDF document to your graduate application:

Page One: General Info

  • Your name, address, phone, email
  • Previous degrees
  • The degree program you are applying for in CCM 
  • Name and email of three references

Page Two: Experience

  • Pedagogy courses
  • Teaching background
  • Experience in any sort of working environment

Page Three: Teaching Philosophy

  • Why you want a teaching assistantship?
  • What qualifications do you have that would make you a good fit for the position?
  • Anything that would be of benefit when we are looking at potential graduate assistants

*An interview is required if you are invited by faculty.


Collaborative Piano (Accompanying) - MM

Pre-screening

Applicants must submit the required pre-screening materials via getacceptd.com/ccm on or before December 14 in order to be considered for admissions. In person auditions are held on January 28 and February 11, 2023.

Pre-screening Requirements

Collaborative piano applicants must submit the following:

  • A solo piano selection (5’ -8’ in length) - performed on a grand piano.
  • One movement from a Sonata for piano and either a wind or string instrument.
  • Two art songs, one of which must be by Schubert.
  • One opera aria
  • It is understood that all of these selections will be performed with appropriate partners.

Audition

Audition Requirements
  • Horn Concerto by Glière – first movement.
  • Sonata for Cello and Piano in G minor, op 19 by Rachmaninoff – first movement.
  • Mozart – Count’s recit. and aria “Hai già vinta… Vedrò mentr’io sospiro” from Le nozze di Figaro
  • Schumann - op 39 Liederkreis (Eichendorff) “Waldesgespräch” – high key
  • Debussy – Ariettes oubliées – “C’est l’extase langoureuse” – original key
  • Copland – Twelve poems of Emily Dickinson - “Heart, we will forget him”

All collaborative piano applicants will have two sight-reading tests:

  1. Sight-reading a piano part from a collaborative work that you have not played
  2. Play and sing, or add the vocal line to the piano part of a song you will receive at the audition.

Details for Accompanying Assistantships

Musical Theatre Accompanying Assistantship

Open to all pianists, no pre-screening required.

  • Play something you know well
  • Sight read material from the musical theatre repertoire
  • Knowledge and experience in musical theatre repertoire is mandatory.
  • Please email Professor Mark Gibson if you have any questions about the musical theatre accompanying assistantship.
Opera Pianists Accompanying Assistantship

See AD Opera Coaching for more information about pre-screening and live audition requirements.

Studio Accompanying Assistantship
Pre-screening Requirements

Instrumental studio GA:

  • One movement from a Sonata for piano and either a wind or string instrument.

Vocal Studio GA:

  • Two art songs, one of which must be by Schubert. The second song should be in another language.
  • One standard opera aria in any language

In addition, applicants for the studio accompanist assistantship must email Professor Kenneth Griffiths at griffikr@ucmail.uc.edu the following:

  • a professional resume or CV
  • a personal statement indicating your interest in collaborating with other musicians.
  • and a complete repertoire list (vocal, instrumental, or both)
Audition Requirements
  • If auditioning for an Instrumental Assistantship – prepare both the Glière and Rachmaninoff movements from the list above.
  • If auditioning for a Vocal Studio Assistantship – prepare all the vocal repertoire listed above.
  • If auditioning for both assistantships, ALL REPERTOIRE must be prepared.

Incoming music majors (except piano majors) must sign up for the appropriate piano sequence.

Requirements for Incoming Students

  • Piano for Music Education and Jazz Majors: 16PIAN1020
  • Functional Keyboard Skills for Performance Majors:  16PIAN1040
  • Functional Keyboard Skills for Composition, Music Theory and Music History: 16PIAN1040

After you have completed your requirements, you may take Elective Piano Study.

For those majors expecting proof of piano proficiency, an examination is issued by your area of study.  See your advisor for the administration of this proficiency.

Proficiencies

  • MM Theory: See your advisor
  • MM Music History: See your advisor
  • MM Composition: See your advisor
  • MM Music Education: See your advisor
  • MM/DMA Voice: See your advisor
  • MM/DMA Instrumental: NO piano requirement
  • MM/DMA Conducting: See your advisor
  • DMA Composition: NO proficiency required
  • PhD Theory: NO proficiency required
  • PhD Musicology: NO proficiency required

Course Requirements

If you are required by your advisor to take piano courses to become proficient, sign up for:

  • MM/DMA Voice: 16PIAN8020
  • MM Composition, Music Theory, Musicology: 16PIAN8022
  • MM/DMA Conducting: 16PIAN8040 (if not available, 8022)
  • MM Music Education: 16PIAN8024

Group Piano for Non-Music Majors

Group piano for non-music majors is designed for students who wish to learn music reading, piano technique, music theory and chord playing. Courses are geared towards students with 0-2 years of piano backgrround and are open to non-CCM students.

  • Group Piano for Non-Music Majors: 16PIAN1001
  • Group Piano for Non-Music Majors (Graduate Students): 16PIAN8001
  • Group Piano for Non-Music Majors II: 16PIAN1002
  • Group Piano for Non-Music Majors II (Graduate Students): 16PIAN8002

Private Piano Lessons

The piano elective is available for CCM students who have completed their degree requirements and for university students with previous piano experience. Eight years of previous piano study is usually necessary, and an audition may be required.

Students need the permission of CCM's Keyboard Studies Division head in order to sign up for the piano elective. Contact Professor Michelle Conda for more information.

If the class is closed, sign up on the waiting list outside 5221 Mary Emery Hall. If a spot opens up, you will be contacted.

  • 16PIAN5030 (Undergraduates)
  • 16PIAN8030 (Graduate Students)

Direct all questions to Michelle Conda, Coordinator of Secondary Piano and Piano Pedagogy.

In state-of-the-art facilities, students practice and perform on instruments that include 200 pianos, eight harpsichords, a fortepiano, a clavichord and seven pipe organs. Keyboard Studies majors have separate practice rooms, and CCM's performance spaces include four traditional halls plus other chamber spaces. These features contribute to an environment conducive to improving musical and performing skills, helping to prepare students for their professional careers. Learn more about the CCM Village.

The city of Cincinnati offers a rich cultural environment for our piano students. The Cincinnati Symphony Orchestra is a world-class ensemble, and features top soloists throughout the season. In addition there are piano recital and chamber music series in several venues around Cincinnati, as well as ballet, opera and art museums. Visiting artists are often invited to give master classes at CCM; recent guests include Emanuel Ax, Barry Douglas, Gary Graffman and Claude Frank.


News and Events

1

CCM apparel now available for purchase online

March 23, 2023

Back by popular demand, official CCM-branded apparel is now available for purchase online! Show your school spirit this spring with official UC College-Conservatory of Music apparel. The CCM Tribunal is sponsoring the college's spring apparel campaign to help raise funds for student initiatives. CCM-branded t-shirts, hoodies and quarter-zip pullovers are available for purchase online now through April 23, 2023.

2

Ariel Quartet closes season with Brahms and Beethoven on March 21

March 13, 2023

The Ariel Quartet closes their 2022-23 season Tuesday, March 21 at 7:30 p.m. in Werner Recital Hall. The emotional program, centered around the Brahms Piano Quintet in F minor and featuring faculty artist Soyeon Kate Lee, also includes works by Beethoven and Mendelssohn. Tickets are on sale now through the CCM Box Office.

3

CCM Prof. Michelle Conda receives Frances Clark Center Lifetime...

February 22, 2023

University of Cincinnati College-Conservatory of Music Professor Michelle Conda is a recipient of the 2023 Frances Clark Center Lifetime Achievement Award. Her extensive contributions to the field of piano pedagogy is extraordinary. Her influence and impact on the profession are demonstrated across the country and internationally, exemplifying outstanding dedication to the field of music and piano teaching.

Load More
Debug Query for this